Around the World in Many Ways with Global Voices

By Misa Oyama, ITVS Staff

The narrative film Boyhood has provoked significant interest for following the growth of the same actor as he ages in real time. While the approach is unique in feature films, this method is an everyday reality for a documentary filmmaker – as is demonstrated by this season of Global Voices.

Richard Linklater’s new film Boyhood has provoked a lot of interest in its intriguing premise and the background of its production: follow the growth of a character over twelve years, not with different actors, but with the same person as he ages in real time. This is the first time that a narrative film has had the patience to tackle the kind of project well-known in the documentary world. Most notably, Michael Apted’s Up series follows the same people over the course of a lifetime, beginning with a group of 7-year-old British schoolchildren in 1964 and revisiting them every seven years; the most recent installment explores their lives at the age of 56. Filming over a span of years gives audiences a true sense of the passing of time.

Like these films, three documentaries in this summer’s Global Voices series approach the subject of growth and aging, despite vastly different cultural contexts. Each one explores a significant period in a person’s life, from young adulthood to middle age to the final years. You can see a lifetime in My So-Called EnemyMy Perestroika [both available to watch online], and Here Comes Uncle Joe [airing on the WORLD Channel August 31st]. Continue reading

Everything You Need to Know to Apply to Open Call

Over the past month, ITVS’s Programming Department hosted a number of informative webinars in order to arm filmmakers with the information needed to successfully apply for Open Call funding. With Friday’s deadline fast approaching, we wanted to offer this brief overview of each of the events, which covered everything from writing the ITVS treatment to what makes a successful work-in-progress sample. Check it out and be sure to apply to Open Call by Friday, August 8th.

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On July 10th, Programming Manager N’Jeri Eaton hosted the “Writing the ITVS Treatment” webinar. View the archived webinar below:

Treatment Webinar from ITVS_VIDEO on Vimeo.

On July 24th, an OVEE screening was held to review work-in-progress samples and to discuss the process with filmmakers who were successful with their submissions. To find out what makes a good work sample, read the transcript from the “Work-in-Progresses That Work” webinar here. Continue reading

Budgeting for ITVS Open Call

ITVS programming staff Jen Gilomen and Jorge Trelles hosted a budgeting webinar for Open Call on Thursday, July 24, 2014. Below is the recorded event, which includes an overview presentation and Q&A with participants. Also below is a recap of the new budget format for Open Call.

As part of your application to Open Call (now in WizeHive, an online system), we ask for summary budget information for your program - including secured funding and expenses. Your “request to ITVS” is based on your total budgeted expenses minus the total secured funding you have received for your project. The “Total Request to ITVS” is therefore the total amount you need to complete your public television program as outlined in your proposal. Your budget, with the rest of your application, tells a story to reviewers about how you plan to complete your film.

Secured Funding: This section is only for “secured” funding (no in-kind contributions). This means “Producers Cash” contributed to the production (hard costs you have incurred that weren’t covered by other funding sources) and other grants and income sources you have obtained for your film. “Secured” means you have already received the funding or have been promised the funding in writing.

Expenses: Expenses are all of the costs associated with producing your public television program from inception to final masters delivered for broadcast. It should not include any other expenses, such as costs associated with creating another version of your film, distribution, marketing, your film’s website, outreach efforts, etc. Budget categories from the ITVS Budget Template are pre-populated in the online application for convenience, but you can edit the categories to fit your existing budget. You are welcome to use (but not required to use) the ITVS Production Budget Template (download here in Excel formats: xlsx or xls) to calculate subtotal amounts for your major budget categories. (Please note that if your project is selected for Open Call panel review, you will be required to submit a full ITVS Production Budget in this format. Even then, you will be able to modify the category names.)

Continue reading

My So-Called Enemy, Sunday on Global Voices

This Sunday on Global Voices, filmmaker Lisa Gossels presents the Israeli/Palestinian conflict through a human lens in her documentary, My So-Called Enemy. The film begins in July 2002, when twenty-two Palestinian and Israeli teenage girls traveled to the US to participate in a ten-day women’s leadership program. My So-Called Enemy is about six of those girls and how the transformative experience of knowing their “enemies” as human beings meets with the realities of their lives at home in the Middle East over the next seven years. In this post, Gossels shares her motivation for making this film.

There’s many things that a person might look like and you’re one hundred percent positive who they are. And when you talk to them, you’re shocked that they’re completely the opposite. Like whoever looks at me, “No way you’re an Arab.” But I go like, “Oh, dude, I am an Arab!” So, don’t concentrate on the first impression. If you think you don’t like the person, approach them to know who they really are.
-Rawan (Palestinian, Muslim)

by Lisa Gossels, Director

When I introduce My So-Called Enemy at screenings, I always say that making the film was an eight-year journey of both learning and unlearning for me – and a stripping away of personal narratives that I was raised with.  My hope as a documentarian is that audiences will experience some of that same transformation when they watch the movie.

I live in downtown Manhattan and shortly after 9/11, I remember engaging in some heated political conversations with close friends about the Israeli/Palestinian conflict. When I tried to express any nuance in those discussions, I came to understand how wars could be fought on words and how easy it is to reduce conflicts to black and white terms. At a conference two months earlier, I had the privilege of meeting Melodye Feldman (the founder of Building Bridges for Peace), and four participants from her just-completed summer program. After listening to the girls’ dramatic stories about how the program had changed them, I begged Melodye to let me film her program the next year! I was excited that Building Bridges for Peace empowers teenage girls because, as Nicholas Kristof wrote, “Focusing on women and girls is the most effective way to fight global poverty and extremism.” Continue reading

Ask the Expert: Writing the ITVS Treatment

Programming Manager N’Jeri Eaton hosted an informative webinar last week, reviewing the new Open Call submission process and providing insight into writing the ITVS treatment. This archived webinar is available for those who were unable to attend or are looking to brush up on their treatment knowledge. 

Treatment Webinar from ITVS_VIDEO on Vimeo.

“Writing the ITVS Treatment” was the first in a series of webinars ITVS is hosting in an effort to provide more resources for filmmakers applying to Open Call. The following weekly webinars will be held in the lead up to this year’s deadline:

July 17th
Work-in-Progresses That Work Webinar (read the transcript here)

July 24th
ITVS Budgeting Basics Webinar (read our recap here)

July 31st
Open Call Live Chat

Please note, ITVS will be accepting Open Call applications through Friday, August 8th. For more information about the Open Call initiative or ITVS funding in general, please go to the updated funding pages on our website. And stay tuned to our blogTwitter and Facebook!

Travel the World with the New Season of Global Voices!

ITVS is excited to announce the lineup for the seventh season of Global Voices, the critically acclaimed international documentary series premiering on the WORLD Channel (check local listings).

Travel the world from your living room with the latest season of Global Voices. Airing on the WORLD Channel, season seven kicks off on June 1st with 18 weeks of international documentaries made by independent filmmakers from around the world.

The seventh season of Global Voices opens with the U.S. premiere of Miss Nikki & The Tiger Girls, filmmaker Juliet Lamont’s intimate portrait of a spirited young Australian band manager as she tries to empower Myanmar’s first all-girl band to speak out in one of the world’s most repressive regimes. If you think it’s hard making it as a female pop group, try doing it with a military dictatorship breathing down your neck! Continue reading

Decisions on Deadline: Online Game Puts Ethics to the Test

“My goal…is to engage the general public in a conversation about public faith in the media, media ethics, and why we need to support institutional journalism even in this era of democratized media.”
– Samantha Grant, filmmaker

Recently Independent Lens premiered the film, A Fragile Trust, the shocking story of Jayson Blair, the most infamous serial plagiarist of our time, and how he unleashed the scandal that rocked The New York Times and the entire world of journalism.

Inspired by the film, Decisions on Deadline takes the story to another level with a fast-paced game that puts players in the shoes of working journalists as they report on the daily drama of life in Southside, a fictional American town.

We asked producers Samantha Grant and Brittney Shepherd about their foray into making games, their hopes for impact, and ethics and journalism in the digital age.

How did the film, A Fragile Trust, inspire the game?

Samantha Grant (SG): I was a BAVC MediaMaker fellow in 2011, and it was there, during that fellowship, that I first dreamed up the idea for a journalism ethics game. Brittney was attending the fellowship with me, as the co-producer of the film, and at one point during a presentation on gaming, I turned to her as said ‘Yes! A Game!” I wanted to make the game because I realized that the film I was making was bringing up a lot of problems in the field of journalism without offering any solutions. I’m the type of person who, when I see a problem, I immediately start thinking about solutions. Continue reading

ITVS Snags Four Peabody Awards!

Administered by the University of Georgia’s Grady College of Journalism and Mass Communication, the George Foster Peabody Award is one of the most prestigious honors in electronic media.

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Independent Lens programs The House I Live InHow to Survive a Plague, and The Invisible War, in addition to the ITVS-funded Latino Americans series, were among the films honored with a Peabody Award this year.

Congratulations to the filmmakers on this incredible achievement! This brings the total of Peabody awards for ITVS films to 29. Continue reading

Celebrate Women’s History Month with #SheDocs!

March kicks off the second annual #SheDocs, an online film festival showcasing 12 documentaries highlighting extraordinary women and their accomplishments in celebration of International Women’s Day and Women’s History Month. The festival is presented by ITVS’s Women and Girls Lead campaign and sponsored by Eileen Fisher, Inc.

Female protagonists in film are few and far between. According to the Annenberg Public Policy Center, women have been consistently underrepresented as main characters for at least six decades. In 2013, females accounted for only 33% of all characters in the top 100 grossing films and only 11% featured women in leadership positions.

Women and Girls Lead is proud to combat these gender stereotypes and misrepresentations with the second annual #SheDocs online film festival, a collection of 12 documentaries highlighting extraordinary women working to close the gender gap and fight inequality. This month-long, free event presents films by prominent independent filmmakers and shines a spotlight on women who are working to transform their lives, their communities, and the world. Continue reading

Your Open Call Questions Answered

ITVS Programming Managers N’Jeri Eaton and Jorge Trelles hosted an informative live chat on Wednesday to answer any questions for the Open Call funding initiative.

ITVS will be accepting applications through Friday, January 17th. While the chat has come and gone, check out the archived conversation for helpful submission tips and insights!

For more information about ITVS funding initiatives, please click here.