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	<title>ITVS Beyond the Box &#187; Film Festivals</title>
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		<title>IL Series Producer Recaps Sundance 2012</title>
		<link>http://beyondthebox.org/il-series-producer-recaps-sundance-2012/</link>
		<comments>http://beyondthebox.org/il-series-producer-recaps-sundance-2012/#comments</comments>
		<pubDate>Mon, 06 Feb 2012 10:30:42 +0000</pubDate>
		<dc:creator>ITVS Staff</dc:creator>
				<category><![CDATA[Awards]]></category>
		<category><![CDATA[Film Festivals]]></category>
		<category><![CDATA[In the News]]></category>
		<category><![CDATA[Independent Lens]]></category>
		<category><![CDATA[Institutional Updates]]></category>
		<category><![CDATA[ITVS Broadcasts]]></category>
		<category><![CDATA[On the Road]]></category>
		<category><![CDATA[festivals]]></category>
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		<category><![CDATA[lois vossen]]></category>
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		<category><![CDATA[Sundance Film Festival]]></category>

		<guid isPermaLink="false">http://beyondthebox.org/?p=20022</guid>
		<description><![CDATA[By Lois Vossen, Founding Series Producer of Independent Lens and Vice President of ITVS Sundance 2012 was a record-breaking year year for ITVS and Independent Lens. Six ITVS funded films screened in the documentary competitions and all six were honored with Sundance awards. (ITVS had had seven films playing at Sundance in 2004; six films in [...]]]></description>
			<content:encoded><![CDATA[<p><strong>By Lois Vossen, Founding Series Producer of <em>Independent Lens</em> and Vice President of ITVS</strong></p>
<div id="attachment_20024" class="wp-caption alignnone" style="width: 598px"><a href="http://beyondthebox.org"><img class="size-full wp-image-20024 " title="large-lois-&amp;-filmmakers" src="http://beyondthebox.org/wp-content/uploads/2012/02/large-lois-filmmakers.jpg" alt="" width="588" height="331" /></a><p class="wp-caption-text">ITVS-funded filmmakers and staff rally for lunch at the Sundance Film Festival in Park City, UT</p></div>
<p>Sundance 2012 was a <a href="http://beyondthebox.org/itvs-films-clean-up-at-sundance/" target="_blank">record-breaking year</a> year for ITVS and <em>Independent Lens.</em> Six ITVS funded films screened in the documentary competitions and <em>all six</em> were honored with Sundance awards. (ITVS had had seven films playing at Sundance in 2004; six films in 2002; and eight films in 1997 for those interested in banner years).</p>
<p><span id="more-20022"></span> Adding to that powerful showing, midway through Sundance <a href="http://beyondthebox.org/oscar-nominees-for-best-doc-include-hell-and-back-again-if-a-tree-falls/" target="_blank">two ITVS-supported films</a> received Academy Award nominations for Best Documentary including <a href="http://beyondthebox.org/hell-and-back-again-filmmaker-danfung-dennis-reacts-to-oscar-nomination/" target="_blank"><em>Hell and Back Again</em></a> by Danfung Dennis (coming to <em>Independent Lens</em> in May) and <a href="http://beyondthebox.org/if-a-tree-falls-filmmaker-reacts-to-oscar-nomination/" target="_blank"><em>If a Tree Falls</em></a> by Marshall Curry and Sam Cullman (broadcast on <em>POV</em>).  We were able to celebrate in person as Danfung and Sam (a producer on <a href="http://beyondthebox.org/filmmakers-of-the-house-i-live-in-respond-to-sundance-premiere/" target="_blank"><em>The House I Live In</em></a>) were both in Park City.  Even the Utah snowstorms couldn’t slow our momentum because that’s one heck of a week.</p>
<div id="attachment_20027" class="wp-caption alignnone" style="width: 598px"><a href="http://beyondthebox.org"><img class="size-full wp-image-20027" title="large-loise-&amp;-oscars" src="http://beyondthebox.org/wp-content/uploads/2012/02/large-loise-oscars.jpg" alt="" width="588" height="331" /></a><p class="wp-caption-text">From L to R: Danfung Dennis (Hell and Back Again), Lois Vossen, and Sam Cullman (If a Tree Falls)</p></div>
<p><em>Independent Lens</em> and ITVS held an intimate lunch to honor our 2012 Sundance and Academy Award-nominated filmmakers. Stepping away from the noise and full-on energy that is Sundance, we wanted to take a moment to recognize and celebrate the extraordinary work of the filmmakers.</p>
<p>Four of the six ITVS films at Sundance are <a href="http://www.pbs.org/independentlens/blog/future-independent-lens-films-debut-to-accolades-at-sundance">already slated for broadcast on <em>Independent Lens</em></a> following theatrical distribution, including Grand Jury Prize winner <em>The House I Live In</em> by Eugene Jarecki, Audience Award winner <a href="http://beyondthebox.org/filmmakers-of-the-invisible-war-reflect-on-sundance-premiere/" target="_blank"><em>The Invisible War</em></a> by Kirby Dick, Special Jury Prize winner <a href="http://beyondthebox.org/macky-alstons-love-free-or-die-takes-off-at-sundance/" target="_blank"><em>Love Free or Die</em></a> by Macky Alston, and <a href="http://beyondthebox.org/motor-city-struggles-resonate-at-sundance-premiere/" target="_blank"><em>Detropia</em></a> by Heidi Ewing and Rachel Grady, which was honored for best editing. In addition, the <em>Independent Lens</em> film <em>The Island President</em> by Jon Shenk, Richard Berge, and Bonni Cohen screened in a Sundance sidebar program. These five films will make for an exceptional new season of <em>Independent Lens</em> — and they will be joined by a stunning array of other documentaries coming to completion this year.</p>
<p>The two additional ITVS-funded films that premiered in the World Cinema Documentary Competition and took awards are <em>Putin&#8217;s Kiss</em> (Best Cinematography Award) and <em>5 Broken Cameras</em> (Best Directing).</p>
<p>Sundance 2012 is a wrap, but the impact of these extraordinary films is just beginning. We have an exceptional year ahead, lead by the power of independent storytelling.</p>
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		<title>ITVS in the News</title>
		<link>http://beyondthebox.org/itvs-in-the-news-14/</link>
		<comments>http://beyondthebox.org/itvs-in-the-news-14/#comments</comments>
		<pubDate>Wed, 01 Feb 2012 16:35:37 +0000</pubDate>
		<dc:creator>ITVS Staff</dc:creator>
				<category><![CDATA[Film Festivals]]></category>
		<category><![CDATA[In the News]]></category>
		<category><![CDATA[Independent Lens]]></category>
		<category><![CDATA[Institutional Updates]]></category>
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		<category><![CDATA[in the news]]></category>
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		<category><![CDATA[realscreen]]></category>
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		<category><![CDATA[the new york times]]></category>

		<guid isPermaLink="false">http://beyondthebox.org/?p=19939</guid>
		<description><![CDATA[A sampling of coverage from the New York Times, Realscreen, and more … New York Times: Sundance Documentaries Transform Data Into Stories Over the weekend, The House I Live In, Eugene Jarecki’s heart-heavy investigation into the American war on drugs, nabbed the grand jury prize for documentary at the Sundance Film Festival. Miller-McCune Magazine: Does Black History Month Need More Than [...]]]></description>
			<content:encoded><![CDATA[<p><strong>A sampling of coverage from the <em>New York Times</em>, <em>Realscreen</em>, and more …</strong></p>
<p><a href="http://www.youtube.com/watch?v=p4eMZhubWFM"><img class="alignnone size-full wp-image-19940" title="house" src="http://beyondthebox.org/wp-content/uploads/2012/02/house.jpg" alt="" width="588" height="331" /></a></p>
<div>
<p><a href="http://carpetbagger.blogs.nytimes.com/2012/01/30/sundance-documentaries-transform-data-into-stories/?ref=arts" target="_blank"><strong><em>New York Times</em></strong><strong>: Sundance Documentaries Transform Data Into Stories<br />
</strong></a>Over the weekend, <em>The House I Live In</em>, Eugene Jarecki’s heart-heavy investigation into the American war on drugs, nabbed the grand jury prize for documentary at the Sundance Film Festival.</p>
<p><a href="http://www.miller-mccune.com/culture/does-black-history-need-more-than-a-month-38937/" target="_blank"><strong><em>Miller-McCune Magazine</em></strong><strong>: Does Black History Month Need More Than a Month?<br />
</strong></a>At a time when so many documentaries adopt an either angry or elegiac tone, <em>More Than a Month</em> has a disarmingly light touch. Among the several laugh-out-loud moments is a brief parody of Ken Burns’s <em>The Civil War</em>, featuring the filmmaker in period costume. Tilghman’s a great guide on this journey: he’s genuinely troubled by the questions he raises, but he’s also unpretentious, quizzical, and, at times, bemused.<br />
<span id="more-19939"></span><br />
<a href="http://realscreen.com/2012/01/29/sundance-2012-house-i-live-in-versailles-scoop-prizes/#ixzz1l57APdrt" target="_blank"><em><strong>Realscreen:</em> Sundance 2012: “House I Live In,” “Versailles” scoop prizes</strong></a><a href="http://realscreen.com/2012/01/29/sundance-2012-house-i-live-in-versailles-scoop-prizes/#ixzz1l57APdrt" target="_blank"><br />
</a>Eugene Jarecki’s <em>The House I Live In</em> (pictured) has won the Sundance 2012 Grand Jury Prize for Documentary, with Lauren Greenfield’s <em>The Queen of Versailles</em> picking up the U.S. Directing Award for Documentary, and two docs about the ongoing Israel/Palestine conflict also winning accolade</p>
<p><a href="http://realscreen.com/2012/01/29/sundance-2012-house-i-live-in-versailles-scoop-prizes/#ixzz1l57APdrt" target="_blank"><em>Realscreen:</em> <strong>Winter/spring schedule for PBS’ ‘Independent Lens’ unveiled</strong></a><a href="http://realscreen.com/2012/01/20/winterspring-schedule-for-pbs-independent-lens-unveiled/#ixzz1l56o8Glc" target="_blank"><br />
</a>U.S. public broadcaster PBS has revealed the winter/spring 2012 programming line-up for its acclaimed documentary strand ‘Independent Lens,’ including <em>Hell and Back Again </em>(pictured) and <em>We Were Here</em>, both shortlisted for Academy Award nominations this year.</p>
<p><em><a href="http://itvs.org/about/pressroom/in-the-news" target="_blank">Visit our pressroom to find additional coverage of ITVS programs &gt;&gt;</a></em></p>
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<div class="hidden thumbnail">http://s3.amazonaws.com/itvs.images/btb/btb_news1.jpg</div>
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		<title>Women and Girls Lead &amp; Athena Film Festival Present, &#8220;Daisy Bates: First Lady of Little Rock&#8221;</title>
		<link>http://beyondthebox.org/women-and-girls-lead-athena-film-festival-present-daisy-bates-first-lady-of-little-rock/</link>
		<comments>http://beyondthebox.org/women-and-girls-lead-athena-film-festival-present-daisy-bates-first-lady-of-little-rock/#comments</comments>
		<pubDate>Mon, 30 Jan 2012 10:14:10 +0000</pubDate>
		<dc:creator>ITVS Staff</dc:creator>
				<category><![CDATA[All Video]]></category>
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		<category><![CDATA[athena film festival]]></category>
		<category><![CDATA[Daisy Bates]]></category>
		<category><![CDATA[women and girls lead]]></category>

		<guid isPermaLink="false">http://beyondthebox.org/?p=19866</guid>
		<description><![CDATA[Women and Girls Lead is happy to announce an exciting partnership with the Athena Film Festival on the film Daisy Bates: First Lady of Little Rock. The documentary will air on Independent Lens on February 2. The Athena Film Festival  is a celebration of women and leadership, and the only film festival in the nation to focus its [...]]]></description>
			<content:encoded><![CDATA[<p><strong><a href="http://www.itvs.org/women-and-girls-lead" target="_blank">Women and Girls Lead</a> is happy to announce an exciting partnership with the Athena Film Festival on the film <em>Daisy Bates: First Lady of Little Rock. </em>The documentary will air on <em>Independent Lens</em> on February 2.</strong></p>
<p><a href="http://www.itvs.org/women-and-girls-lead"><img class="alignnone size-full wp-image-19872" title="wag" src="http://beyondthebox.org/wp-content/uploads/2012/01/wag.jpeg" alt="" width="588" height="157" /></a></p>
<p><span>The Athena Film Festival  is a celebration of women and leadership, and the only film festival in the nation to focus its content on women’s leadership. With an impressive line-up of groundbreaking films — chronicling the lives of long serving Native American female firefighters to the weekend’s closing film, The Lady, on the life of Aung San Suu Kyi the Burmese opposition leader and Nobel Peace Prize laureate.<br />
</span><br />
<span id="more-19866"></span> Be inspired, join Women and Girls Lead at the Athena Film Festival in New York City on Saturday, February 11<sup>th</sup> at 3pm for the special screening of <em>Daisy Bates: First Lady of Little Rock</em>. And tune in for a live online panel discussion with Director Sharon La Cruise following the film, <a href="http://athenafilmfestival.com/live" target="_blank">here</a>.</p>
<p><em><a href=" http://athenafilmfestival.com/program/films/daisy-bates/  " target="_blank">Find more information about the Athena Film Festival.</a></em></p>
<p><em>Watch the Athena Film Festival trailer below:</em></p>
<p><iframe src="http://www.youtube.com/embed/o0EFHzQRPEg" frameborder="0" width="588" height="331"></iframe></p>
<div class="hidden label">watch</div>
<div class="hidden thumbnail">http://s3.amazonaws.com/itvs.images/btb/btb_wag.jpg</div>
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		<title>ITVS Films Clean Up at Sundance</title>
		<link>http://beyondthebox.org/itvs-films-clean-up-at-sundance/</link>
		<comments>http://beyondthebox.org/itvs-films-clean-up-at-sundance/#comments</comments>
		<pubDate>Mon, 30 Jan 2012 05:10:44 +0000</pubDate>
		<dc:creator>ITVS Staff</dc:creator>
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		<guid isPermaLink="false">http://beyondthebox.org/?p=19880</guid>
		<description><![CDATA[All six ITVS films in competition at Sundance picked up awards on Saturday, marking an unprecedented accomplishment for the organization and the filmmakers. WINNER OF THE GRAND JURY PRIZE IN U.S. DOCUMENTARY COMPETITION The House I Live In by Eugene Jarecki The film weaves together director Eugene Director&#8217;s personal narrative with America&#8217;s war on drugs. Here, [...]]]></description>
			<content:encoded><![CDATA[<p><strong>All six ITVS films in competition at Sundance picked up awards on Saturday, marking an unprecedented accomplishment for the organization and the filmmakers.</strong></p>
<p><a href="http://beyondthebox.org/"><img class="alignnone size-full wp-image-19277" title="sundance" src="http://beyondthebox.org/wp-content/uploads/2011/11/sundance.jpg" alt="" width="588" height="327" /></a></p>
<p><strong>WINNER OF THE GRAND JURY PRIZE IN U.S. DOCUMENTARY COMPETITION</strong><br />
<em>The House I Live In </em>by Eugene Jarecki<br />
The film weaves together director Eugene Director&#8217;s personal narrative with America&#8217;s war on drugs. Here, producers including Sam Cullman, Melinda Snopsis, Danny Glover, and director Eugene Jarecki — reflect on the film and its Sundance premiere.<br />
<span id="more-19880"></span><br />
<iframe src="http://www.youtube.com/embed/p4eMZhubWFM" frameborder="0" width="588" height="331"></iframe></p>
<p><strong>WINNER OF THE AUDIENCE AWARD IN U.S. DOCUMENTARY COMPETITION</strong><br />
<em>The Invisible War</em> by Kirby Dick<br />
The film examines the epidemic of rape of soldiers within the U.S. military, the institutions that cover up its existence, and the profound personal and social consequences that arise from it. Here, director Kirby Dick and producer Amy Ziering reflect on the film&#8217;s Sundance premiere.</p>
<p><iframe src="http://www.youtube.com/embed/YlPlegaSivQ" frameborder="0" width="588" height="331"></iframe></p>
<p><strong>WINNER OF THE SPECIAL JURY PRIZE IN U.S. DOCUMENTARY COMPETITION<br />
</strong><em>Love Free or Die</em> by Macky Alston<br />
The film  follows the historic and controversial rise of Gene Robinson, the first openly gay Bishop. Last week, ITVS caught up with filmmaker Macky Alston at a mass held at St. Luke&#8217;s Church in Park City, where LGBT leaders showed up to support and discuss the film.</p>
<p><iframe src="http://www.youtube.com/embed/Cok14B7Knps" frameborder="0" width="588" height="331"></iframe></p>
<p><strong>WINNER FOR BEST EDITING IN U.S. DOCUMENTARY COMPETITION</strong><br />
<em>Detropia </em>by filmmakers Rachel Grady and Heiding Ewing; edited by Enat Sidi<br />
The film artfully displays the rapid decline of a once thriving American city. On the brink of bankruptcy, the filmmakers and loyal citizens profiled in the feature, suggest the feeling that as goes Detroit, so goes the nation. Here, co-directors Rachel Grady and Heidi Ewing reflect on the film and its Sundance premiere.</p>
<p><iframe src="http://www.youtube.com/embed/aSrfs0Aww0o" frameborder="0" width="588" height="331"></iframe></p>
<p><strong>WINNER FOR BEST DIRECTING IN WORLD CINEMA DOCUMENTARY COMPETITION<br />
</strong><em>5 Broken Cameras</em> by  Emad Burnat and Guy Davidi<br />
A Palestinian journalist chronicles his village’s resistance to a separation barrier being erected on their land and in the process captures his young son’s lens on the world.</p>
<p><strong>WINNER FOR BEST CINEMATOGRAPHY IN WORLD CINEMA DOCUMENTARY COMPETITION<br />
</strong><em>Putin&#8217;s Kiss</em> by <em style="font-weight: bold;"> </em>Lise Birk Pedersen<br />
Nineteen-year-old Marsha is a model spokesperson in a strongly nationalistic Russian youth movement that aims to protect the country from its enemies. When she starts recognizing the organization’s flaws, she must take a stand for or against it.</p>
<p>On behalf of everyone from ITVS and <em>Independent Len, c</em>ongratulations to all the filmmakers on this extraordinary achievement!</p>
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		<title>Filmmakers of &#8220;The House I Live In&#8221; Respond to Sundance Premiere</title>
		<link>http://beyondthebox.org/filmmakers-of-the-house-i-live-in-respond-to-sundance-premiere/</link>
		<comments>http://beyondthebox.org/filmmakers-of-the-house-i-live-in-respond-to-sundance-premiere/#comments</comments>
		<pubDate>Fri, 27 Jan 2012 18:29:24 +0000</pubDate>
		<dc:creator>ITVS Staff</dc:creator>
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		<guid isPermaLink="false">http://beyondthebox.org/?p=19854</guid>
		<description><![CDATA[By Steve Goldbloom, Reporting for PBS and BTB at the 2012 Sundance Film Festival The House I Live In premiered last weekend at the Sundance Film Festival. The film weaves together director Eugene Jarecki&#8217;s personal narrative with America&#8217;s war on drugs. Here, producers including Sam Cullman, Melinda Shopsin, Danny Glover, and director Eugene Jarecki — reflect [...]]]></description>
			<content:encoded><![CDATA[<p><strong>By Steve Goldbloom, Reporting for PBS and BTB at the 2012 Sundance Film Festival</strong></p>
<p><strong><em>The House I Live In</em> premiered last weekend at the Sundance Film Festival. The film weaves together director Eugene Jarecki&#8217;s personal narrative with America&#8217;s war on drugs. Here, producers including Sam Cullman, Melinda Shopsin, Danny Glover, and director Eugene Jarecki — reflect on the film and its Sundance premiere.</strong></p>
<p><iframe src="http://www.youtube.com/embed/p4eMZhubWFM" frameborder="0" width="588" height="331"></iframe></p>
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		<title>Filmmakers of &#8220;The Invisible War&#8221; Reflect on Sundance Premiere</title>
		<link>http://beyondthebox.org/filmmakers-of-the-invisible-war-reflect-on-sundance-premiere/</link>
		<comments>http://beyondthebox.org/filmmakers-of-the-invisible-war-reflect-on-sundance-premiere/#comments</comments>
		<pubDate>Fri, 27 Jan 2012 10:02:41 +0000</pubDate>
		<dc:creator>ITVS Staff</dc:creator>
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		<guid isPermaLink="false">http://beyondthebox.org/?p=19844</guid>
		<description><![CDATA[By Steve Goldbloom, Reporting for PBS and BTB at the 2012 Sundance Film Festival This past weekend, filmmakers Kirby Dick and Amy Ziering premiered their documentary The Invisible War at the Sundance Film Festival. The film examines the epidemic of rape of soldiers within the U.S. military, the institutions that cover up its existence, and the [...]]]></description>
			<content:encoded><![CDATA[<p><strong>By Steve Goldbloom, Reporting for PBS and BTB at the 2012 Sundance Film Festival</strong></p>
<p><strong>This past weekend, filmmakers Kirby Dick and Amy Ziering premiered their documentary <em>The Invisible War</em> at the Sundance Film Festival. The film examines the epidemic of rape of soldiers within the U.S. military, the institutions that cover up its existence, and the profound personal and social consequences that arise from it. Watch the video below as both filmmakers recount the Sundance experience.</strong></p>
<p><iframe src="http://www.youtube.com/embed/YlPlegaSivQ" frameborder="0" width="588" height="331"></iframe></p>
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<div class="hidden thumbnail">http://s3.amazonaws.com/itvs.images/btb/btb_kirby_dick.jpg</div>
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		<title>&#8220;If a Tree Falls&#8221; Filmmaker Reacts to Oscar Nomination</title>
		<link>http://beyondthebox.org/if-a-tree-falls-filmmaker-reacts-to-oscar-nomination/</link>
		<comments>http://beyondthebox.org/if-a-tree-falls-filmmaker-reacts-to-oscar-nomination/#comments</comments>
		<pubDate>Wed, 25 Jan 2012 20:29:56 +0000</pubDate>
		<dc:creator>ITVS Staff</dc:creator>
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		<guid isPermaLink="false">http://beyondthebox.org/?p=19833</guid>
		<description><![CDATA[By Steve Goldbloom, Reporting for PBS and BTB at the 2012 Sundance Film Festival Sam Cullman, co-director and cinematographer of If a Tree Falls reacts to his Oscar Nomination, which he learned about on Tuesday at Sundance. The movie takes a behind-the-scenes look at Earth Liberation Front, the radical environmental group that the FBI calls [...]]]></description>
			<content:encoded><![CDATA[<p><strong>By Steve Goldbloom, Reporting for PBS and BTB at the 2012 Sundance Film Festival</strong></p>
<p><strong>Sam Cullman, co-director and cinematographer of <em><a href="http://www.pbs.org/pov/ifatreefalls/" target="_blank">If a Tree Falls</a></em> reacts to his Oscar Nomination, which he learned about on Tuesday at Sundance.</strong></p>
<p><iframe src="http://www.youtube.com/embed/0EH8ydSECFw" frameborder="0" width="588" height="331"></iframe></p>
<p>The movie takes a behind-the-scenes look at Earth Liberation Front, the radical environmental group that the FBI calls the &#8220;number one domestic terrorism threat&#8221; in America. <em>If a Tree Falls</em> aired on POV this past fall.</p>
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		<title>Macky Alston&#8217;s &#8220;Love Free or Die&#8221; Takes Off at Sundance</title>
		<link>http://beyondthebox.org/macky-alstons-love-free-or-die-takes-off-at-sundance/</link>
		<comments>http://beyondthebox.org/macky-alstons-love-free-or-die-takes-off-at-sundance/#comments</comments>
		<pubDate>Tue, 24 Jan 2012 00:32:45 +0000</pubDate>
		<dc:creator>ITVS Staff</dc:creator>
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		<guid isPermaLink="false">http://beyondthebox.org/?p=19789</guid>
		<description><![CDATA[By Steve Goldbloom, Reporting for PBS and BTB at the 2012 Sundance Film Festival Premiering Monday night at Sundance is Macky Alston&#8217;s new film Love Free or Die, which  follows the historic and controversial rise of Gene Robinson, the first openly gay Bishop. BTB caught up with Alston at a mass held at St. Luke&#8217;s [...]]]></description>
			<content:encoded><![CDATA[<p><strong>By Steve Goldbloom, Reporting for PBS and BTB at the 2012 Sundance Film Festival</strong></p>
<p><strong>Premiering Monday night at Sundance is Macky Alston&#8217;s new film <em>Love Free or Die, </em>which  follows the historic and controversial rise of Gene Robinson, the first openly gay Bishop. BTB caught up with Alston at a mass held at St. Luke&#8217;s Church on Sunday in Park City, where LGBT leaders showed up to support and discuss the film.</strong></p>
<p><iframe src="http://www.youtube.com/embed/Cok14B7Knps" frameborder="0" width="588" height="331"></iframe></p>
<p><em>Love Free or Die </em>is an ITVS-funded film slated for broadcast on an upcoming season of  <em>Independent Lens.</em></p>
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<div class="hidden thumbnail">http://s3.amazonaws.com/itvs.images/btb/btb_love_free_or_die.jpg</div>
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		<title>Motor City Struggles Resonate at Sundance Premiere</title>
		<link>http://beyondthebox.org/motor-city-struggles-resonate-at-sundance-premiere/</link>
		<comments>http://beyondthebox.org/motor-city-struggles-resonate-at-sundance-premiere/#comments</comments>
		<pubDate>Mon, 23 Jan 2012 03:42:56 +0000</pubDate>
		<dc:creator>ITVS Staff</dc:creator>
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		<guid isPermaLink="false">http://beyondthebox.org/?p=19781</guid>
		<description><![CDATA[By Steve Goldbloom, Reporting for PBS and BTB at the 2012 Sundance Film Festival The ITVS-funded documentary Detropia held its worldwide premiere on Saturday at the Temple Theatre in Park City. Watch below, as Co-Directors Rachel Grady and Heidi Ewing discuss the film and recount their Sundance experience. BTB will be rolling several video reports [...]]]></description>
			<content:encoded><![CDATA[<p><strong>By Steve Goldbloom, Reporting for PBS and BTB at the 2012 Sundance Film Festival</strong></p>
<p>The ITVS-funded documentary <em>Detropia</em> held its worldwide premiere on Saturday at the Temple Theatre in Park City. Watch below, as Co-Directors Rachel Grady and Heidi Ewing discuss the film and recount their Sundance experience. BTB will be rolling several video reports from the festival throughout the week.</p>
<p><iframe src="http://www.youtube.com/embed/aSrfs0Aww0o" frameborder="0" width="588" height="331"></iframe></p>
<p><em>Detropia</em> artfully displays the rapid decline of a once thriving American city. On the brink of bankruptcy, the filmmakers and loyal citizens profiled in the feature, suggest the feeling that as goes Detroit, so goes the nation.</p>
<p>Congratulations to the filmmakers and keep an eye on BTB this week for more video updates from the festival.</p>
<div class="hidden label">watch</div>
<div class="hidden thumbnail">http://s3.amazonaws.com/itvs.images/btb/btb_detropia_filmmakers.jpg</div>
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		<title>Six ITVS Documentaries to Screen in Competition at Sundance 2012</title>
		<link>http://beyondthebox.org/six-itvs-documentaries-to-screen-in-competition-at-sundance-2012/</link>
		<comments>http://beyondthebox.org/six-itvs-documentaries-to-screen-in-competition-at-sundance-2012/#comments</comments>
		<pubDate>Thu, 01 Dec 2011 01:21:25 +0000</pubDate>
		<dc:creator>ITVS Staff</dc:creator>
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		<guid isPermaLink="false">http://beyondthebox.org/?p=19276</guid>
		<description><![CDATA[On Wednesday, ITVS welcomed the announcement that six of its funded films have been selected to screen in competition at the upcoming 2012 Sundance Film Festival (January 19-29). ITVS domestic co-productions claimed four of the 16 spots in this year’s U.S. Documentary competition and two of the 12 spots in the World Documentary competition. “There [...]]]></description>
			<content:encoded><![CDATA[<p><strong><em></em>On Wednesday, ITVS welcomed the announcement that six of its funded films have been selected to screen in competition at the upcoming 2012 Sundance Film Festival (January 19-29). ITVS domestic co-productions claimed four of the 16 spots in this year’s U.S. Documentary competition and two of the 12 spots in the World Documentary competition.</strong></p>
<p><a href="http://beyondthebox.org/"><img class="alignnone size-full wp-image-19277" title="sundance" src="http://beyondthebox.org/wp-content/uploads/2011/11/sundance.jpg" alt="" width="588" height="327" /></a></p>
<p>“There could be no better recognition of the diversity and quality of our films and makers than such a large claim of the documentaries in competition at Sundance,” said Sally Jo Fifer, president and CEO of ITVS. “These films represent an extraordinary range of stories – both deeply personal and broadly profound – and it gives us great pride to know that each of them will eventually be presented to millions of viewers on public television.”<br />
<span id="more-19276"></span><br />
<strong>ITVS FILMS IN U.S. DOCUMENTARY COMPETITION</strong></p>
<p><strong><em>Detropia</em></strong> by Heidi Ewing and Rachel Grady<br />
The woes of Detroit are emblematic of the collapse of the U.S. manufacturing base. This is the dramatic story of a city and its people who refuse to leave the building, even as the flames are rising.</p>
<p><strong><em>The House I Live In </em></strong>by Eugene Jarecki<br />
For over 40 years, the War on Drugs has accounted for 45 million arrests, made America the world&#8217;s largest jailer and damaged poor communities at home and abroad. Yet drugs are cheaper, purer, and more available today than ever. Where did we go wrong, and what is the path toward healing?</p>
<p><strong><em>The Invisible War</em></strong> by Kirby Dick<br />
An investigative and powerfully emotional examination of the epidemic of rape of soldiers within the U.S. military, the institutions that cover up its existence and the profound personal and social consequences that arise from it.</p>
<p><strong><em>Love Free or Die: How the Bishop of New Hampshire is Changing the World</em></strong><strong> </strong>by Macky Alston<br />
One man whose two defining passions are in conflict: An openly gay bishop refuses to leave the church or the man he loves.</p>
<p><strong>ITVS FILMS IN WORLD DOCUMENTARY COMPETITION</strong></p>
<p><strong><em>5 Broken Cameras</em></strong> by directors Emad Burnat and Guy Davidi<br />
A Palestinian journalist chronicles his village’s resistance to a separation barrier being erected on their land and in the process captures his young son’s lens on the world.</p>
<p><strong><em>Putin’s Kiss</em></strong><strong> </strong>by Lise Birk Pedersen<br />
Nineteen-year-old Marsha is a model spokesperson in a strongly nationalistic Russian youth movement that aims to protect the country from its enemies. When she starts recognizing the organization’s flaws, she must take a stand for or against it.</p>
<p>The participation of these films in the festival brings the number of ITVS-funded films that have screened at the Sundance Film Festival to a total of 77, since ITVS’s first presence at the festival in 1994. Screening dates and times are still pending. Up-to-date information can be found online <a href="www.sundance.org/festival/.   " target="_blank">here</a>.</p>
<p>&nbsp;</p>
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