At next week’s PBS Digital Producers Summit, OVEE will be highlighted as a valuable strategy for public media to mobilize geographically-dispersed audiences and catalyze civic engagement.
Nine Network will lead the audience through a case study of its screening Looking at Ferguson. Co-produced with PBS NewsHour in partnership with American Experience, Firelight Media, YOUmedia and Independent Lens, the event provided a unique forum for the youth perspective in the wake of the tragic shooting of Michael Brown. Participants from across the country viewed news clips, PBS footage and student-produced interviews, and engaged in dialogue led by youth journalists. The screening created a passionate discussion that moved beyond Ferguson as an isolated event to address larger institutional issues that impact race and justice.
OVEE has also been selected as the Social TV partner for the TV of Tomorrow conference in New York on Dec. 9th, an event that attracts leaders and innovators from across tech and media. Participating companies will include industry giants such as Adobe, Nielsen and Disney, as well as start-ups that are redefining the media experience. Sharan Sklar of ITVS will share her insights on how OVEE is shaping Social TV and helping media companies strengthen viewership in an increasingly competitive landscape.
Says Sklar, “It’s exciting for us to see that OVEE is not only becoming a powerful strategy within public media but also that the world outside public media is recognizing the strength of the platform to engage audiences and create meaningful conversation.”
Those of you who have seen the critically lauded documentary The Interrupters, an ITVS-funded film by Steve James (Hoop Dreams; Life Itself) that aired on PBS’s FRONTLINE last year, will be saddened to hear that its main subject, Ameena Matthews, is battling leukemia and lymphoma. While Ameena is no longer an employee of Ceasefire, the violence prevention organization featured in The Interrupters, she has been a vital part of Chicago’s efforts to help reduce its epidemic of gang warfare. Via our friends at Kartemquin Films, you can be proactive in lending a hand to Ameena’s fight by contributing to a campaign to cover her medical costs.
The National Academy of Television Arts & Sciences announced this year’s nominees for the 35th annual News & Documentary Emmy® Awards, which recognizes outstanding achievement in broadcast journalism and documentary filmmaking. And ITVS is proud to say that nine of our documentaries received 13 nominations for 2013!
PBS received a total of 43 nominations — the most of any network — including 10 nominations for Independent Lens, 11 nominations for FRONTLINE (two for the ITVS-funded Outlawed in Pakistan), and six for POV (including Reportero), so it’s a great day all around for public media documentaries! The News & Documentary Emmy Awards will be presented on Tuesday, September 30th, 2014, in New York City.
“These Emmy nominations are a testament to the expemplary journalism that independent documentary filmmakers practice,” said Lois Vossen, Independent Lens Deputy Executive Producer. “They reflect the extraordinary vitality and diversity of our vibrant independent documentary community.”
And without further ado, here are the ITVS films receiving Emmy honors: Continue reading →
Maya Angelou to Be Featured in First Documentary About Her Life, on PBS’s American Masters
At the time of Maya Angelou’s death, May 28, 2014, she was participating in the first feature documentary about her life for the American Masters series, Maya Angelou: The People’s Poet. Co-directors/producers Bob Hercules and Rita Coburn Whack last interviewed Dr. Angelou this past January and production on the film continues. American Masters looks forward to her taking her rightful place in the series, albeit posthumously.
In addition to co-founding his own extraordinary organization, Working Films, Robert West worked for ITVS in the late 1990s as one of our field organizers in what was then our Community Connections Project (later rebranded and significantly enhanced as Community Cinema). During the years that Robert was a part of the ITVS enterprise, he brought a level of commitment and sophistication to the art of community engagement – or as he later dubbed it “reel engagement.” Those of us who had the great pleasure of working with Robert during those years saw first hand his deep commitment to supporting social issue documentaries and connecting people and organizations in a way that resulted in creating real change. He was an unstoppable force then, and he remains one today.
Robert has been a visionary and a leader in the intersections of media and public engagement. Last fall, he was diagnosed with Glioblastoma Multiforme (GBM), an aggressive and terminal brain cancer. We at ITVS and IndependentLens, along with countless colleagues who have been beneficiaries of his work, were devastated by the news. Not surprisingly, in the months since then, Robert has earned our even deeper admiration for the dignity, humor, and grit he has shown. Someone wise once wrote, “A vision without a task is but a dream. A task without a dream is drudgery. But dreams and tasks together are the hope of the world.” Robert epitomizes “the hope of the world” through his courage, his action, and his contributions – back in the day at ITVS, at Working Films, and with all the films and filmmakers he has helped. Continue reading →
Recognized for personifying “Television with a Conscience,” the landmark PBS program is based on the book by New York Times columnist Nicholas Kristof and Sheryl WuDunn. The four-part series follows six actress-advocates as they travel to six countries and meet inspiring, courageous individuals who are confronting oppression and developing real, meaningful solutions through health care, education, and economic empowerment for women and girls.
The film premiered last October as part of public media’s Women and Girls Lead initiative. Watch the trailer for the doc after the jump. Continue reading →
Media that Moves Millions looks beyond the headlines to understand the role of social media in mass movements for peaceful social change. A gathering of tech savvy peacebuilders and change agents, the day long summit will feature many of those people and organizations at the forefront of innovation, including: Nicholas Kristof, journalist, author, op-ed columnist, and a winner of two Pulitzer Prizes; Ben Keesey, CEO of Invisible Children; Frank Sesno, award-winning American journalist; Matthew Perault, manager for privacy and global policy at Facebook; and Alec Ross, senior advisor for innovation to the Secretary of State. Other notable speakers include president and CEO of the United Nations Foundation, Kathy Calvin, CPB president and CEO Patricia Harrison, and Sally Jo Fifer, President & CEO of ITVS.
The first part of the Media that Moves Millions summit will explore campaigns that have captured the world’s attention by successfully using participatory media for social change, including the We Are All Khaled Said, Half the Sky, and Kony 2012 campaigns. Continue reading →
ITVS is happy to announce that Vice President of Programming Claire Aguilar has been named Executive Content Advisor.
In this new consulting role, Claire will provide high-level, portfolio analysis and content feedback under the direction of Jim Sommers, Senior Vice President of Content and head of ITVS’ Content Strategy Team. With a focus on recommending content for ITVS International and selected public television series, Claire will also continue to co-curate programming for Independent Lens.
Previously, Claire served as head of ITVS’s programming department. She joined the organization in 2000 from public television station KCET/Los Angeles, where she programmed the station’s schedule and managed programming acquisitions. Earlier in her career, Claire worked as a film programmer at the UCLA Film and Television Archive, one of the leading exhibition venues for international documentary and classic Hollywood films. She has served as a programming consultant and panelist for the Corporation for Public Broadcasting, the Rockefeller Foundation, the NEA, the Pew Fellowships in the Arts, and many other media and funding organizations. She has also led and participated in film juries for IDFA, Sheffield Doc/Fest, Silverdocs and Visions du Réel. Claire holds a Bachelor of Arts in Communications Studies and a Master of Arts in Film and Television Studies from UCLA. She serves on the board of Women Make Movies, STEPS International, and the EURODOC Steering Committee.
Lounging around on your couch, clicker and blanket in tow, might not seem like the most overtly social activity. Yet, these days, even when we’re spending the evening parked in front of the television, we’re able to connect with our friends immediatelyabout a show’s plot progression. In particular, Twitter has been leading the way for developing a strong social TV landscape.
In Nielsen’s annual “Station of The Media: The Social Media Report”, social TV demonstrated a growing user base. By June of 2012, over a third of Twitter users tweeted about a program on television, with the age 35-44 demographic being the most likely to comment on a TV show. In order to measure the power of social television, Nielsen will be working with Twitter to establish “a syndicate-standard metric around the reach of the TV conservation” by fall 2013. For the first time, broadcasters will be able to get an estimate of the number of people that participated or were exposed to an online conversation about their programming.
Public Media has also been capitalizing on the growth of social TV. Most notably, tech-savy, Downton Abbey lovers can check their Twitter feeds for instant feedback about the Dowager Countess’ latest sassy remark through the #DowntonPBS hashtag. PBS has also facilitated celebrity moderators, like Austenprose (@austenprose), The Daily Beast (@televisionary), Tom and Lorenzo (@tomandlorenzo) and Vulture (@vulture), to join the conversation. Their second-screen remarks add another dimension to the viewing experience. They make Downton feel like more than just TV show and more like a community. Continue reading →
PBS concluded the TCA Winter Press Tour at Pasadena’s Langham Hotel as it unveiled the upcoming spring lineup for the critics.
On Tuesday, Independent Lens and FRONTLINE kicked off Day 2 of press tour with an emotional panel previewing Kind Hearted Woman, filmmaker David Sutherland’s documentary following Robin Charboneau, an Oglala Sioux woman in North Dakota, as she struggles between saving her family and risking it all to help her Indian community and abused women. Continue reading →