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	<title>ITVS Beyond the Box &#187; Inside Indies</title>
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		<title>Inside Indies: Ask Vilmos!</title>
		<link>http://beyondthebox.org/inside-indies-ask-vilmos/</link>
		<comments>http://beyondthebox.org/inside-indies-ask-vilmos/#comments</comments>
		<pubDate>Mon, 09 Nov 2009 17:57:08 +0000</pubDate>
		<dc:creator>phil_zimmerman</dc:creator>
				<category><![CDATA[Independent Lens]]></category>
		<category><![CDATA[Inside Indies]]></category>
		<category><![CDATA[cinematographer]]></category>
		<category><![CDATA[filmmaking]]></category>
		<category><![CDATA[Vilmos Zsigmond]]></category>

		<guid isPermaLink="false">http://beyondthebox.org/?p=6596</guid>
		<description><![CDATA[If you could ask acclaimed cinematographer Vilmos Zsigmond a question, what would it be? The beloved co-subject of NO SUBTITLES NECESSARY: Laszo &#38; Vilmos, Zsigmond is a legend for his fine camerawork, having shot films such as The Deer Hunter and Close Encounters of the Third Kind. For our Inside Indies feature, we&#8217;ll be talking [...]]]></description>
			<content:encoded><![CDATA[<p><img class="alignright" title="Vilmos Zsigmond" src="/Blog/vilmos_ask.jpg" alt="" width="300" height="261" />If you could ask acclaimed cinematographer Vilmos Zsigmond a question, what would it be?</p>
<p>The beloved co-subject of <a href="http://www.pbs.org/independentlens/no-subtitles-necessary/index.html" target="_blank">NO SUBTITLES NECESSARY: <em>Laszo &amp; Vilmos</em></a>, Zsigmond is a legend for his fine camerawork, having shot films such as <em>The Deer Hunter</em> and <em>Close Encounters of the Third Kind</em>.</p>
<p>For our Inside Indies feature, we&#8217;ll be talking to Vilmos and asking him questions from filmmakers and audiences worldwide. His answers will be posted on Inside Indies later this month.</p>
<p><a href="http://www.pbs.org/independentlens/no-subtitles-necessary/talkback.html" target="_blank">Submit your question now &gt;&gt;</a></p>
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		<title>Inside Indies: Filmmaker Marjan Tehrani Discusses Favorite Films</title>
		<link>http://beyondthebox.org/inside-indies-filmmaker-marjan-tehrani-discusses-favorite-films/</link>
		<comments>http://beyondthebox.org/inside-indies-filmmaker-marjan-tehrani-discusses-favorite-films/#comments</comments>
		<pubDate>Thu, 03 Sep 2009 19:23:15 +0000</pubDate>
		<dc:creator>phil_zimmerman</dc:creator>
				<category><![CDATA[Inside Indies]]></category>
		<category><![CDATA[Amores Perros]]></category>
		<category><![CDATA[film resources]]></category>
		<category><![CDATA[filmmakers]]></category>
		<category><![CDATA[Maysles]]></category>
		<category><![CDATA[Slumdog Millionaire]]></category>

		<guid isPermaLink="false">http://beyondthebox.org/?p=5468</guid>
		<description><![CDATA[We recently caught up with ITVS-funded filmmaker Marjan Tehrani (ARUSI PERSIAN WEDDING, P-STAR RISING) to talk about her favorite films and how they’ve influenced her style of filmmaking. Check out her top favorites below and tell us what you think. What are your three favorite films of all-time and why? 1. Salesman by the Maysles [...]]]></description>
			<content:encoded><![CDATA[<p><em><img class="alignright" title="Marjan Tehrani" src="/Blog/Arusi_producer.jpg" alt="" width="213" height="182" />We recently caught up with ITVS-funded filmmaker Marjan Tehrani (<a href="http://www.pbs.org/independentlens/arusipersianwedding/" target="_blank">ARUSI PERSIAN WEDDING</a>, <a href="http://www.pstarrising.com/index.php" target="_blank">P-STAR RISING</a>) to talk about her favorite films and how they’ve influenced her style of filmmaking.  Check out her top favorites below and tell us what you think.</em></p>
<p><em><strong>What are your three favorite films of all-time and why? </strong></em></p>
<p><img class="alignleft" title="Salesman" src="/Blog/salesman1.jpg" alt="" width="108" height="91" />1. <em>Salesman</em> by the Maysles brothers is one of my all-time favorites! I love this film because you truly feel like you are right there with these salesman as they go door to door and live on the road away from their families. The cinematography is amazing and the pace of the editing is well done.  The Maysles have definitely influenced my style of filmmaking and has inspired me to follow in the style of direct cinema (cinema verité).</p>
<p><img class="alignleft" title="When We Were Kings" src="/Blog/WhenWeWereKings.jpg" alt="" width="99" height="83" />2. <em>When We Were Kings</em> is another classic documentary that has taught me so much about the craft of filmmaking. It is entertaining like docs should be! It has incredible storytelling with a great arc and  footage that is so special and unique. This story and footage is something that I think any filmmaker would love to get their hands on.<br clear = “all”><br clear = “all”></p>
<p><img class="alignleft" title="Amores Perros" src="/Blog/amores_perros1.jpg" alt="" width="99" height="83" /> 3. <em>Amores Perros</em> –– I love this style of filmmaking that Alejandro González Iñárritu has brought to American Cinema. Other films that I greatly appreciate like <em>Traffic</em> have also used this storytelling method of interweaving different plots to tell a riveting and though provoking story. I hope to make a fiction film one day that has complex layers such as this film to make people think but also allow them to enjoy their movie experience.<br clear = “all”><br clear = “all”></p>
<p><em><strong>What is your favorite film you&#8217;ve seen recently and why?</strong></em></p>
<p><img class="alignleft" title="Slumdog Millionaire" src="http://www.itvs.org/beyondthebox/blog/slumdog_millionaire.jpg" alt="" width="99" height="83" />I would have to agree (that is with the million awards that this film received!) that <em>Slumdog Millionaire</em> is one of the best films I have seen recently. Danny Boyle did an amazing job directing this film. The casting was brilliant with the children and the the backdrop of India was exciting to see. I was on the edge of my seat through the whole film and I loved the game show story line. I am also a sucker for love stories and this was a good one.</p>
<p><a href="http://www.pbs.org/independentlens/insideindies/favoritefilms.html" target="_blank">See other filmmakers favorite films in the latest edition of Inside Indies &gt;&gt;</a></p>
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		<title>Inside Indies: Filmmaker Johnny Symons Discusses Favorite Films</title>
		<link>http://beyondthebox.org/inside-indies-filmmaker-johnny-symons-discusses-favorite-films/</link>
		<comments>http://beyondthebox.org/inside-indies-filmmaker-johnny-symons-discusses-favorite-films/#comments</comments>
		<pubDate>Tue, 01 Sep 2009 21:35:17 +0000</pubDate>
		<dc:creator>phil_zimmerman</dc:creator>
				<category><![CDATA[All Video]]></category>
		<category><![CDATA[Inside Indies]]></category>
		<category><![CDATA[film resources]]></category>
		<category><![CDATA[filmmakers]]></category>
		<category><![CDATA[online video]]></category>

		<guid isPermaLink="false">http://beyondthebox.org/?p=5403</guid>
		<description><![CDATA[What are your favorite films? It’s a difficult question and oftentimes nearly impossible to narrow down. We recently asked ITVS funded filmmaker Johnny Symons (ASK NOT, DADDY &#38; PAPA) to talk about his favorites and why. Check out his video response: Visit Inside Indies to find out about other filmmakers favorite films &#62;&#62;]]></description>
			<content:encoded><![CDATA[<p>What are your favorite films? It’s a difficult question and oftentimes nearly impossible to narrow down.</p>
<p>We recently asked ITVS funded filmmaker Johnny Symons (<a href="http://www.pbs.org/independentlens/asknot/" target="_blank">ASK NOT</a>, <a href="http://www.pbs.org/independentlens/daddyandpapa/" target="_blank">DADDY &amp; PAPA</a>) to talk about his favorites and why.</p>
<p>Check out his video response:</p>
<p><object classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" width="425" height="344" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0"><param name="allowFullScreen" value="true" /><param name="allowscriptaccess" value="always" /><param name="src" value="http://www.youtube.com/v/i6Dhg8yMc2I&amp;hl=en&amp;fs=1&amp;" /><param name="allowfullscreen" value="true" /><embed type="application/x-shockwave-flash" width="425" height="344" src="http://www.youtube.com/v/i6Dhg8yMc2I&amp;hl=en&amp;fs=1&amp;" allowscriptaccess="always" allowfullscreen="true"></embed></object></p>
<p><a href="http://www.pbs.org/independentlens/insideindies/favoritefilms.html" target="_blank">Visit Inside Indies to find out about other filmmakers favorite films &gt;&gt;</a></p>
]]></content:encoded>
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		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Inside Indies: Filmmaking Tips and Tricks of the Trade</title>
		<link>http://beyondthebox.org/inside-indies-filmmaking-tips-and-tricks-of-the-trade/</link>
		<comments>http://beyondthebox.org/inside-indies-filmmaking-tips-and-tricks-of-the-trade/#comments</comments>
		<pubDate>Wed, 22 Jul 2009 17:50:01 +0000</pubDate>
		<dc:creator>phil_zimmerman</dc:creator>
				<category><![CDATA[Inside Indies]]></category>
		<category><![CDATA[Producer Resources]]></category>
		<category><![CDATA[film resources]]></category>
		<category><![CDATA[filmmakers]]></category>
		<category><![CDATA[independent film]]></category>

		<guid isPermaLink="false">http://beyondthebox.org/?p=4918</guid>
		<description><![CDATA[How do they do it? Go behind the scenes and get real-life examples from documentary filmmakers. Sit in on conversations between up-and-coming indies and seasoned professionals as they share their personal take on tricks of the trade. From stop-motion animation and using archival footage, to gaining trust and telling personal stories, learn how independents meet [...]]]></description>
			<content:encoded><![CDATA[<p><img class="alignright" title="Inside Indies" src="/Blog/inside_indies_vids.jpg" alt="" width="335" height="307" />How do they do it? Go behind the scenes and get real-life examples from documentary filmmakers. Sit in on conversations between up-and-coming indies and seasoned professionals as they share their personal take on tricks of the trade. From stop-motion animation and using archival footage, to gaining trust and telling personal stories, learn how independents meet creative challenges to get their story told in compelling ways.</p>
<p><a href="http://www.pbs.org/independentlens/insideindies/learn/" target="_blank">Watch these clips and learn more &gt;&gt;</a></p>
]]></content:encoded>
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		<item>
		<title>Inside Indies: Inside Filmmaking</title>
		<link>http://beyondthebox.org/inside-indies-inside-filmmaking/</link>
		<comments>http://beyondthebox.org/inside-indies-inside-filmmaking/#comments</comments>
		<pubDate>Wed, 08 Oct 2008 18:28:11 +0000</pubDate>
		<dc:creator>phil_zimmerman</dc:creator>
				<category><![CDATA[Independent Lens]]></category>
		<category><![CDATA[Inside Indies]]></category>
		<category><![CDATA[film resources]]></category>
		<category><![CDATA[filmmakers]]></category>
		<category><![CDATA[independent film]]></category>

		<guid isPermaLink="false">http://www.itvs.org/wordpress/?p=6</guid>
		<description><![CDATA[What inspires indie filmmakers to persevere? Heather Rae who spent 13 years making TRUDELL, a film about Native American poet and activist John Trudell, talks about her desire to share Native stories and the challenges of filmmaking on a shoestring. Barbara Multer-Wellin and Jeffrey Abelson, filmmakers of PAUL CONRAD: Drawing Fire, which explores one of [...]]]></description>
			<content:encoded><![CDATA[<div id="attachment_61" class="wp-caption alignright" style="width: 310px"><a title="TRUDELL" href="http://www.pbs.org/independentlens/insideindies/insidefilmmaking/" target="_blank"><img class="size-medium wp-image-61" title="TRUDELL" src="http://www.itvs.org/wordpress/wp-content/uploads/2008/10/trudell1-300x188.jpg" alt="Native American poet and activist John Trudell" width="300" height="188" /></a><p class="wp-caption-text">Native American poet and activist John Trudell.</p></div>
<p>What inspires indie filmmakers to persevere?</p>
<p>Heather Rae who spent 13 years making TRUDELL, a film about Native American poet and activist John Trudell, talks about her desire to share Native stories and the challenges of filmmaking on a shoestring. Barbara Multer-Wellin and Jeffrey Abelson, filmmakers of PAUL CONRAD: Drawing Fire, which explores one of the most distinguished editorial cartoonists in the world, discuss the challenges of condensing Conrad&#8217;s five-decade-long career into one hour and how they made static, black-and-white images come to life. And Brad Lichtenstein and Lisa Gildehaus, filmmakers of ALMOST HOME, which follows the daily lives of residents and staff at a retirement community in Milwaukee, WI, speak about why they chose to address issues of aging and some of the special challenges they faced while focusing their lenses on elderly, often fragile subjects.<br />
<a href="http://www.pbs.org/independentlens/insideindies/insidefilmmaking/" target="_blank"><br />
Get the inside scoop &gt;&gt;</a></p>
]]></content:encoded>
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		<slash:comments>2</slash:comments>
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