Ask the Expert: Writing the ITVS Treatment

Programming Manager N’Jeri Eaton hosted an informative webinar last week, reviewing the new Open Call submission process and providing insight into writing the ITVS treatment. This archived webinar is available for those who were unable to attend or are looking to brush up on their treatment knowledge. 

Treatment Webinar from ITVS_VIDEO on Vimeo.

“Writing the ITVS Treatment” was the first in a series of webinars ITVS is hosting in an effort to provide more resources for filmmakers applying to Open Call. The following weekly webinars will be held in the lead up to this year’s deadline:

July 17th
Work-in-Progresses That Work Webinar (https://ovee.itvs.org/screenings/q19c8)

July 24th
ITVS Budgeting Basics Webinar

July 31st
Open Call Live Chat

Please note, ITVS will be accepting Open Call applications through Friday, August 8th. For more information about the Open Call initiative or ITVS funding in general, please go to the updated funding pages on our website. And stay tuned to our blogTwitter and Facebook!

Attention Filmmakers! Changes to ITVS Open Call

You’ve given us feedback through surveys, emails, phone calls, and one-on-one meetings.  And we have been listening!  The Programming Department is excited to announce some changes to our Open Call initiative.

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The following changes have been made to the application process for the ITVS Open Call initiative. For a complete listing of rules and regulations, please visit the ITVS Open Call page on the ITVS website.

NEW DEADLINE

The upcoming deadline is August 8th.  This will allow filmmakers to learn more about the changes to our application process and update their materials accordingly.  This will also give applicants from the previous round more time to revise their materials before applying again while also providing a breather for Open Call staff.

SHORTER REVIEW PROCESS

Applicant will be notified about the status of the submissions within 15 weeks of the application deadline.   Previously, applicants who went through all three phases of review had to wait up to five months for final funding decisions to be made.  We understand that five months can be a lifetime in the course of a film.

APPLICATION MATERIALS CHANGES

One of the reasons we’re able to shorten the cycle length is that we’re making changes to the application materials. Instead of submitting a condensed three-page program description, we’re now expanding the program description to be up to seven pages in length.

We’ve also changed the length requirements for the work-in-progress sample. Now, we will only accept work samples that are between 10 to 15 minutes or a full rough cut that is within 20% of the proposed length. For example, if you’re applying for an hour long project, your rough cut cannot be any longer than 72 minutes.

If your project gets to the Panel Review phase, then we will only ask you to send a production questionnaire and a full budget in addition to the materials you previously submitted. Continue reading

PBS Annual Meeting 2014: Guide to the City by the Bay, Part II

The countdown to the 2014 PBS Annual Meeting is in full force! While many will be busy attending different events and sessions, it is important to remember to take some time to sit back and enjoy the wealth of culinary delights San Francisco has to ­offer.

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Check out a few of our favorite food and drink spots, all conveniently located near the Marriot Marquis:

Maiden Lane

Located on a quaint pedestrian only street that used to be the center of San Francisco’s red-light district, Maiden Lane is now lined with high-end retail shops and quiet cafés that spill into the street. Sit back and enjoy a cappuccino, tea, or a tasty treat at one of the outdoor cafés. Maiden Lane, btwn Stockton St. & Kearny St.

Local Edition

Downstairs in the historical Hearst building sits a cocktail bar that will take you back in time. Inspired by the journalism industry of the 50’s and 60’s Local Edition offers contemporary and traditional cocktails. Try their updated versions of the Bloody Mary or Gibson as you sit among vintage San Francisco newspapers.
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Continue reading

PBS Annual Meeting 2014: A Guide to the City by the Bay

In less than a week, public television professionals will gather in ITVS’s hometown of San Francisco for PBS’s Annual Meeting and we thought it would be fun to provide attendees with recommendations for things to do and see while in town.

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Whether you’re a bibliophile in search of some good reading material or just want to experience a bit of indie history, here are a few of our favorite literary, theatre, and music destinations:

City Lights

Founded in 1953, this literary landmark was once the go-to spot for the poets and beatniks of the counterculture era. Today, City Lights is three floors high and filled to the brim with both new releases and obscure titles from small, harder-to-find specialty publishers. If you’re looking for something special to bring back home, check out their local section – you won’t find mementos like these in the airport gift shop! 1585 Folsom Street.

Green Apple Books

Not only does Green Apple make an appearance on just about every “Best of the Bay Area” list there is, in 2012 author Dave Eggers named it one of the best bookstores in the country. Come prepared by grabbing a snack at the nearby Toy Boat Dessert Café, because you truly could spend hours browsing one of the largest collections of used books in the city.  506 Clement Street

Castro Theatre

While the film on the screen may be the main attraction, this 1920s movie palace truly steals the show; the fantasy setting includes ornate ceilings, gold-framed mirrors, dramatic mezzanine staircases, and a pipe organ that is played before selected films and events. You’ll find a wide array of films and activities on the schedule, including repertory movies, cult classics, theme nights, film festivals, and sing-a-longs. 429 Castro Street Continue reading

In Loving Memory of Danny Anker

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The documentary community is mourning last week’s loss of exceptional filmmaker and esteemed colleague, Danny Anker. Senior Producer and head of production at ITVS Richard O’Connell pays tribute.

The passing of Danny Anker on Monday, April 21st is a huge loss for all of us who care about the art and craft of documentary film. Danny is best known for his narrative documentaries, Imaginary Witness: Hollywood and the Holocaust and his Oscar-nominated film, Scottsboro: An American Tragedy, which was broadcast on PBS.

I was lucky enough to work with Danny when he was making his film Music From the Inside Out, a film that remains one of my personal favorites. It has all the elements we have come to expect of documentary filmmaking at its very best: original, captivating, artistic, heartfelt, and of course, enlightening. Music From the Inside Out would go on to be presented on Independent Lens and be seen widely across the world in festivals and with a limited theatrical release – a huge success by anyone’s standards.

Danny strongly believed that public television was the best home for Music from the Inside Out. Much like the way he explored music in the documentary, Danny wanted the film to be accessible to everyone. His meticulous and exacting approach in all aspects of filmmaking was evident in the impeccable production values of the film, particularly the knock-out recordings of the music. It was also a joy to witness his beautifully crafted insights into both the creative process and his belief as to why music is so important to our lives.

The film was a testament to Danny’s creativity and the originality of his approach, which is one of the reasons why this film is the one I most often want to share, even with my own children. Working with Danny was a pleasure and while I am not saying it was always easy, Danny’s tenacity and passion for his work exemplified the nature of what it takes to be successful in this field. He was a true independent producer, a model professional, and like all great documentary filmmakers, his dedication and passion to the project never wavered – despite the film taking more than six years to complete. ITVS is very proud to have worked alongside Danny and consider it a privilege to have shared his work with the public television audience.

Hacking Story at ITVS

By Karim Ahmad
ITVS Senior Digital Content Strategist, @the_karachi_kid

ITVS recently hosted four producer teams who were greenlit by the organization’s newly developed ITVS Storylab initiative. These producer teams met with ITVS staff and external mentors to gain intensive consultation in the areas of story development, user experience mechanics, and producing multi-platform content. 

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In early April, ITVS rekindled its love affair with the hackathon. And while we’ve hosted hackathons before, this was something different. This time, we weren’t coding anything. We were hacking story. Not a totally new concept, our process was inspired by our good friends at StoryCode, who’ve run a couple story hackathons in the past – events borrowing from the software development world’s rapid prototyping process to create digital multi-platform stories at breakneck pace. And that’s exactly what we did. We selected a handful of immensely talented indie storytellers with ideas for immersive webseries concepts, and locked them in a room for two days to conceptualize, scope, and paper prototype them for ITVS.

And why? To answer that, let me back up a few steps.

Call it what you like – immersive storytelling, cross-platform, cross-media, or the now-seemingly-dreaded “T-word” (aka transmedia) – if you’ve had a conversation with me about it in the last couple years, you know I have a real obsession with it’s applications to creating impactful and artistic fictional storyworlds. Interactive docs are awesome. But as I said at our recent SXSW panel on the very same subject, i-docs are officially everywhere – including here at ITVS – but if you ask me, the real wild west of transmedia storytelling right now is in fiction.

Look at most narrative webseries and you’ll find they mimic a broadcast paradigm – either the episodic serial or the anthology, like FUTURESTATES. And while I love these stories, I’ve long felt that the new opportunity with web series is to create one that doesn’t feel like a broadcast series – one that really unleashes the user experience potential of web to tell a nonlinear story in serialized form. Our upcoming and final season of the FUTURESTATES series is exactly that. The first act of this narrative is unfolding right now on Twitter and Tumblr. And on May 14, 2014, we’re taking it to a whole new level. It’s a multi-platform futuristic mystery, with you at the center of it all. Stay tuned, you won’t want miss it. Continue reading

In Loving Memory of Patrick Baroch

We have lost a beloved colleague and a dear friend. Patrick Baroch, ITVS’s National Engagement Consultant in Seattle, passed away last week in Port Orchard, Washington.

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The loss to ITVS and the world-at-large is immeasurable. In his role organizing Community Cinema screenings in the Pacific Northwest for the past nine years, Patrick cultivated a vibrant community of partners who collaborated with him to present memorable events that left a lasting impact on those who participated. Beyond his work in the Northwest, Patrick guided and supported 20 other ITVS partner organizations across the country in producing local engagement activities inspired by our documentaries. He approached his work with creative zeal, warmth, intelligence, and humor. Words cannot express how much he will be missed. Continue reading

Diversity Development Fund Announces New Projects

ITVS has announced the eight documentary projects selected as part of the 2013 Diversity Development Fund, a funding initiative that provides research and development funding to producers of color to develop single documentary programs for public television. 

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This year’s selections provide extraordinary access and insight into the daily lives and struggles of people around the world, from Navajo railroad workers in the U.S. to an interracial punk band during the height of apartheid in South Africa.

The productions were selected through a competitive application process, which resulted in 114 submissions.

Check out the complete list of funded projects after the jump. Continue reading

ITVS Celebrates Native American Heritage Month

ITVS and PBS offer viewers the opportunity to explore the rich and vibrant history and cultural contributions of Native Americans throughout the year, but this November offers a special slate of new and encore programs in honor of Native American Heritage Month.

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This November, Independent Lens is shining a spotlight on Native American culture with two new films. Premiering Monday, November 18th, Indian Relay documents an unheralded aspect of modern-day Native American life and what it takes to win one of the more exciting forms of horse racing. From the bitter cold of winter to the heat of summer, this lively documentary follows teams from three different tribes as they compete across a grueling season. Then on November 25th, Young Lakota takes viewers to South Dakota, where abortion politics bring political turmoil to the doorstep on the Pine Ridge Reservation and three young idealists, along with the tribe’s first female president, must decide how far they will go to change politics.

Throughout the month, Community Cinema and Women and Girls Lead continues to celebrate Native American Heritage Month by showcasing additional films featuring outstanding women leaders. These documentaries are available on PBS Video and additional online screenings will be offered using OVEE – the social screening platform for watching PBS content and engaging in meaningful discussions around films. Continue reading

Submit Your Film to Independent Lens!

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Independent Lens is currently seeking submissions of films in advanced rough cut or fine cut stage or completed films to broadcast during the October 2014 – June 2015 season. To learn more about eligibility, what we’re looking for, and to complete our online submission form go to www.ilsubmissions.org.

Any questions? Feel free to drop a line to ILsubmissions@itvs.org.