The National Academy of Television Arts & Sciences announced this year’s nominees for the 35th annual News & Documentary Emmy® Awards, which recognizes outstanding achievement in broadcast journalism and documentary filmmaking. And ITVS is proud to say that nine of our documentaries received 13 nominations for 2013!
PBS received a total of 43 nominations — the most of any network — including 10 nominations for Independent Lens, 11 nominations for FRONTLINE (two for the ITVS-funded Outlawed in Pakistan), and six for POV (including Reportero), so it’s a great day all around for public media documentaries! The News & Documentary Emmy Awards will be presented on Tuesday, September 30th, 2014, in New York City.
“These Emmy nominations are a testament to the expemplary journalism that independent documentary filmmakers practice,” said Lois Vossen, Independent Lens Deputy Executive Producer. “They reflect the extraordinary vitality and diversity of our vibrant independent documentary community.”
And without further ado, here are the ITVS films receiving Emmy honors: Continue reading →
ITVS is excited to announce the lineup for the seventh season of Global Voices, the critically acclaimed international documentary series premiering on the WORLD Channel (check local listings).
Travel the world from your living room with the latest season of Global Voices. Airing on the WORLD Channel, season seven kicks off on June 1st with 18 weeks of international documentaries made by independent filmmakers from around the world.
The seventh season of Global Voices opens with the U.S. premiere of Miss Nikki & The Tiger Girls, filmmaker Juliet Lamont’s intimate portrait of a spirited young Australian band manager as she tries to empower Myanmar’s first all-girl band to speak out in one of the world’s most repressive regimes. If you think it’s hard making it as a female pop group, try doing it with a military dictatorship breathing down your neck! Continue reading →
“My goal…is to engage the general public in a conversation about public faith in the media, media ethics, and why we need to support institutional journalism even in this era of democratized media.” – Samantha Grant, filmmaker
Recently Independent Lens premiered the film, A Fragile Trust, the shocking story of Jayson Blair, the most infamous serial plagiarist of our time, and how he unleashed the scandal that rocked The New York Times and the entire world of journalism.
Inspired by the film, Decisions on Deadline takes the story to another level with a fast-paced game that puts players in the shoes of working journalists as they report on the daily drama of life in Southside, a fictional American town.
We asked producers Samantha Grant and Brittney Shepherd about their foray into making games, their hopes for impact, and ethics and journalism in the digital age.
How did the film, A Fragile Trust, inspire the game?
Samantha Grant (SG): I was a BAVC MediaMaker fellow in 2011, and it was there, during that fellowship, that I first dreamed up the idea for a journalism ethics game. Brittney was attending the fellowship with me, as the co-producer of the film, and at one point during a presentation on gaming, I turned to her as said ‘Yes! A Game!” I wanted to make the game because I realized that the film I was making was bringing up a lot of problems in the field of journalism without offering any solutions. I’m the type of person who, when I see a problem, I immediately start thinking about solutions. Continue reading →
ITVS and PBS offer viewers the opportunity to explore the rich and vibrant history and cultural contributions of Native Americans throughout the year, but this November offers a special slate of new and encore programs in honor of Native American Heritage Month.
This November, Independent Lens is shining a spotlight on Native American culture with two new films. Premiering Monday, November 18th, Indian Relay documents an unheralded aspect of modern-day Native American life and what it takes to win one of the more exciting forms of horse racing. From the bitter cold of winter to the heat of summer, this lively documentary follows teams from three different tribes as they compete across a grueling season. Then on November 25th, Young Lakotatakes viewers to South Dakota, where abortion politics bring political turmoil to the doorstep on the Pine Ridge Reservation and three young idealists, along with the tribe’s first female president, must decide how far they will go to change politics.
Throughout the month, Community Cinema and Women and Girls Lead continues to celebrate Native American Heritage Month by showcasing additional films featuring outstanding women leaders. These documentaries are available on PBS Video and additional online screenings will be offered using OVEE – the social screening platform for watching PBS content and engaging in meaningful discussions around films. Continue reading →
IndependentLens is currently seeking submissions of films in advanced rough cut or fine cut stage or completed films to broadcast during the October 2014 – June 2015 season. To learn more about eligibility, what we’re looking for, and to complete our online submission form go to www.ilsubmissions.org.
Hollow came out of thoughts I had about my everyday internet experience, in which data seems to stream into my brain as if through an intravenous drip. I open my laptop and suddenly email, web searches, random advertising, and social networking all roar in, filling my mental space like a noisy highway and leaving less and less space for fragile developing thoughts and fleeting memories. It’s essentially reshaping my brain’s transactions and, one could argue, ultimately changing who I am.
I obsessed over this idea, this web brain experience, and it tumbled forward, shaping into a character named Iris, a young woman who is trying to survive in a future world where this kind of data exposure is peaking. I imagined the future web as more aggressive and personal, having lost most of its anonymity and privacy. This felt like a small stretch from today, as our growing dependence on the web will almost certainly be paired with challenges to its overall security. Corporate and government surveillance will expand, as well as tracking and profiling systems. As all prosthetic devices (computers, cell phones, etc.) become vulnerable to hacking, powerful interests will find other ways to secretly move information. I was irresistibly drawn to this imaginary future with new industries, new opportunities, and unlikely “heroes.” Continue reading →
Tributopia, the project inspired by the ITVS-funded documentary The Grove, is a free iPhone app for creating virtual memorials and remembering lost loved ones by posting tributes on an interactive map. Tributopia invites engagement by connecting memories to a specific place. With the augmented reality feature, users looks through the viewfinder and can find virtual tributes overlaying the real world around them. Tributopia launches in conjunction with Memorial Day, just before Gay Pride Month.
Filmmaker Andy Abrahams Wilson gives us this inside look at the inspiration behind the app and his take on the changing interactive media landscape:
How did making The Grove inspire your idea for Tributopia?
The AIDS Memorial Grove founders envisioned a nature-based memorial in which individuals could till their grief and find comfort in seeing their own human experience reflected in nature. While the stigma of AIDS created invisible victims and survivors often excluded from traditional rituals of burial and remembrance, having a special place to remember and share was especially important.
While I was in the midst of production on The Grove, I vacationed in Mexico and witnessed scores of roadside memorials adorned with flowers, pictures, and photos. I was mesmerized and wanted to know what happened and whom it happened to. It was as if those shrines wanted to speak to me, to tell me their story. I began to realize how vital the connection was between memory and place, and between community and communication. Hence, the idea for Tributopia was born: a way to use new media to tell stories of loss – to connect memories to place and join in a community of remembrance.
What was the experience like, going from being a “traditional” documentary filmmaker to working in the interactive media space? Was there a large learning curve?
There was an enormous learning curve. We tend to take for granted our mastery over our own craft. Suddenly I found myself facing a technology, terminology and business model that were alien to me. While we cling to the idea of “storytelling” as a unifying theme and comforting commonality, I really did feel like I was entering a brave new world! Continue reading →
Filmmaker María Agui Carter discusses the Women & Girls Lead film Rebel, race, and the exclusion of women in national history. Rebel is the story of Loreta Velazquez, a Confederate soldier turned Union spy. She was dismissed as a hoax for a hundred and fifty years, but new evidence shows Loreta, a Cuban immigrant from New Orleans, was one of an estimated 1000 secret women soldiers of the American Civil War. The documentary premieres on the PBS series Voces on May 24, 2013 (check local listings).
Loreta Velazquez, a Confederate Soldier turned Union spy, did not change the course of the American Civil War. Why would this one woman’s story, out of the three million Americans who fought in the Civil War, matter today? She was one of hundreds of women and thousands of Latino Civil War soldiers whose stories remain outside of the national narrative of history. While the US only recently lifted the ban on women in combat, she was fighting 150 years ago.
Latinos have emerged as the nation’s largest ethnic group, while, according to a Hill and Knowlton study, 1/3 of Americans believe Hispanics are recent immigrants who have come here illegally. Few know that over 10,000 Mexicans fought in the Civil War, entire regiments who spoke only Spanish joined in battle, and that Spanish surnamed soldiers, from South Carolina to New York, joined the ranks. Loreta’s rebellious and daring character, the tragedies of her life – and her refusal to be defeated by them – made her a riveting film subject, but it was the fact that she had been erased that propelled me to make Rebel.
As Walter Benjamin has said, history decays into images. But our society has not always deemed women and minority history worthy of documentation, I had only one, not even authenticated, photo of Loreta. But her memoir and a trove of recently discovered archival documentation about her allowed me to bring her to life, using voiceovers, recreations, animation, and contemporary storytellers.
I am interested in the tension between national narratives and community histories and in the politics of gender and race in the creation of stories about the American past. In Loreta’s lifetime, proponents of the Lost Cause rejected Velazquez for her frank criticisms of the South, and for the fact that, as a Hispanic and as a woman soldier, she disturbed their carefully crafted portrayal of the Southern soldier in the Confederacy. Continue reading →
The Living is a film about human isolation and, specifically, how shifts in the frequency and quality of human interaction might shape the American future. For many of my fellow Gen Y-ers, the notion that we’re traveling down a path of increased human isolation probably seems far-fetched and alarmist, or, at best, a non-issue. After all, we’re children of the Information Age, the first generation born into a world of mass media and wireless technology that allows us to stay in constant contact with both close friends and strangers who live thousands of miles away.
Although I recognize and enjoy the technological advances that continue to bring us closer in the virtual sense and satisfy an array of social longings, I’ve also wondered what culture shifts these innovations might encourage in the long run. As I developed the script for The Living, I pondered a host of moral quandaries that might arise in a society where human desire has been reduced at accelerated rates – where the population has normalized the practice of communicating with both strangers and loved ones at mainly a physical distance. Ultimately, I wanted to know how this continuing ethos might inform the way Americans value human life. Continue reading →
Summer Pastureand the Why Poverty?series were among the programs honored on Monday at theGeorge Foster Peabody Awards in New York City. Administered by the University of Georgia’s Grady College of Journalism and Mass Communication, the Peabody is one of the most prestigious honors in electronic media.
The 72nd Annual Peabody Award Luncheon on Monday, May 20, 2013. Courtesy of Lois Vossen.
Summer Pasture and two of the documentaries from the Why Poverty? series, ITVS-funded Park Avenue and Solar Mamas, aired on Independent Lens in 2012, representing the only PBS programming to be recognized at this year’s ceremony. Independent Lens Senior Series Producer Lois Vossen attended the luncheon and accepted the Summer Pasture award on behalf of the filmmakers, who were unable to attend:
“It was an honor to attend the Peabody Awards to accept a Peabody on behalf of Lynn True, Nelson Walker, and Tsering Perlo for their beautiful film Summer Pasture. Independent Lens was also awarded a Peabody for Park Avenue: Money, Power & the American Dream and Solar Mamas, which broadcast as part of the Why Poverty? series. Winning PBS’s two Peabody Awards this year is further indication of the extraordinary and extraordinarily important work independent filmmakers do. Their unyielding passion and commitment to journalism makes them a vital part of public television. We need their voices now more than ever. It also didn’t hurt that Judd Apatow told me today how much he loves Independent Lens and that it is one of his favorite series!” Continue reading →