ITVS Deep Dive
Tip of the Day: Engage Beyond the Broadcast
The internet is completely revolutionizing all kinds of media by freeing creators from linearity and one-way paradigms. Here at ITVS, we’ve been working with filmmakers for more than a decade to create multifaceted and multi-platform projects that liberate the story from dusty old limitations.
It’s easy to get stuck in a familiar way of doing things, but when you begin to think of your audience as a collaborator, and technology as an ally, you break into new dimensions and open up fresh perspectives on your story. We have a large library of the interactive projects we’ve produced in the past 10 year, and encourage you to check them out for ideas and inspiration.
Tip of the Day: Consume Indie Films on a Global Scale
Travel the world without leaving your sofa. Check out the Global Perspectives Project for films from over 75 countries.
The Global Perspectives Collection hosts more than 100 ITVS-funded films from over 75 countries. Films attached to the collection include the award-winning Waltz with Bashir and Last Train Home.
Visit the site to learn more about independent documentaries from around the world and the diverse, political and social issues they take on.
Tip of the Day: Find That Film!
Want to see where that hot new indie film is playing near you? Search by zip code at itvs.org and find out how close your favorite independent films are to you.
Local listings and video clips are all available online. Browse the titles most interesting to you with our “find films” feature here.
Jerusalem Gay Bar as Metaphor for Peace and Unity
Filmmaker Yun Jong Suh discusses how she came to make a film about the only gay bar in Jerusalem. Her film, City of Borders, airs on public television this month. Check listings in your area here.
As a Buddhist Korean American, I am frequently asked why I am interested in the Middle East and how I discovered Shushan, Jerusalem’s only gay bar. I’m not the most obvious candidate to tell this story. But I believe my outsider status proved to be instrumental in making City of Borders.
I’m drawn to the Israeli-Palestinian conflict because I intimately relate to both sides of the war. Like the Israelis, I grew up in constant fear of my neighboring country, North Korea, attacking my small village in South Korea. I did not see North Koreans as humans but as demons determined to kill us if they had the chance. My childhood playtime often involved devising escape routes and places to hide in my home if North Koreans ever invaded.
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