Independent Film on PBS: A National Listening Tour

listeningtour1

In keeping with its commitment to being the “home to indies,” PBS programming leadership will travel throughout the country over the next few months to meet with independent filmmakers, PBS independent film series producers, PBS station programmers, and other public media and community partners. Listening Tour co-hosts will include ITVS, POV, Independent Lens, and WNET, among others.  At each stop, event participants will voice their priorities, concerns, and ideas on how all the stakeholders can work together to strengthen audience and community engagement with social issues storytelling.

San Francisco will be the first stop on the tour on Saturday, January 17. The event will be hosted by PBS, WNET, ITVS, Independent Lens, and POV, with co-sponsors:

The Listening Tour hosts will announce additional stops in New York and elsewhere as they are confirmed. ITVS looks forward to building a roadmap with our partners for the long-term success of independent film on PBS.

If you have any questions, please contact us at ListeningTour@itvs.org

PBS, WNET, ITVS, Independent Lens and POV Statement

PBS, WNET, ITVS, Independent Lens and POV are working together in partnership over the next four months to develop a national strategy to raise the profile for independent film on public television and to reinforce PBS as the home for indies.

Together, we will be hosting a listening tour with independent filmmakers across the country to engage producers, stations and other stakeholders in the process.

While these discussions are underway, WNET will continue its broadcast of Independent Lens at 10 PM on Mondays on THIRTEEN.

Everything You Need to Know to Apply to Open Call

Over the past month, ITVS’s Programming Department hosted a number of informative webinars in order to arm filmmakers with the information needed to successfully apply for Open Call funding. With Friday’s deadline fast approaching, we wanted to offer this brief overview of each of the events, which covered everything from writing the ITVS treatment to what makes a successful work-in-progress sample. Check it out and be sure to apply to Open Call by Friday, August 8th.

btb_CST_jim-2

On July 10th, Programming Manager N’Jeri Eaton hosted the “Writing the ITVS Treatment” webinar. View the archived webinar below:

Treatment Webinar from ITVS_VIDEO on Vimeo.

On July 24th, an OVEE screening was held to review work-in-progress samples and to discuss the process with filmmakers who were successful with their submissions. To find out what makes a good work sample, read the transcript from the “Work-in-Progresses That Work” webinar here. Continue reading

Ask the Expert: Writing the ITVS Treatment

Programming Manager N’Jeri Eaton hosted an informative webinar last week, reviewing the new Open Call submission process and providing insight into writing the ITVS treatment. This archived webinar is available for those who were unable to attend or are looking to brush up on their treatment knowledge. 

Treatment Webinar from ITVS_VIDEO on Vimeo.

“Writing the ITVS Treatment” was the first in a series of webinars ITVS is hosting in an effort to provide more resources for filmmakers applying to Open Call. The following weekly webinars will be held in the lead up to this year’s deadline:

July 17th
Work-in-Progresses That Work Webinar (read the transcript here)

July 24th
ITVS Budgeting Basics Webinar (read our recap here)

July 31st
Open Call Live Chat

Please note, ITVS will be accepting Open Call applications through Friday, August 8th. For more information about the Open Call initiative or ITVS funding in general, please go to the updated funding pages on our website. And stay tuned to our blogTwitter and Facebook!

PBS Annual Meeting 2014: Guide to the City by the Bay, Part II

The countdown to the 2014 PBS Annual Meeting is in full force! While many will be busy attending different events and sessions, it is important to remember to take some time to sit back and enjoy the wealth of culinary delights San Francisco has to ­offer.

btb_annualmeetingbanner

Check out a few of our favorite food and drink spots, all conveniently located near the Marriot Marquis:

Maiden Lane

Located on a quaint pedestrian only street that used to be the center of San Francisco’s red-light district, Maiden Lane is now lined with high-end retail shops and quiet cafés that spill into the street. Sit back and enjoy a cappuccino, tea, or a tasty treat at one of the outdoor cafés. Maiden Lane, btwn Stockton St. & Kearny St.

Local Edition

Downstairs in the historical Hearst building sits a cocktail bar that will take you back in time. Inspired by the journalism industry of the 50’s and 60’s Local Edition offers contemporary and traditional cocktails. Try their updated versions of the Bloody Mary or Gibson as you sit among vintage San Francisco newspapers.
691 Market Street

Continue reading

Decisions on Deadline: Online Game Puts Ethics to the Test

“My goal…is to engage the general public in a conversation about public faith in the media, media ethics, and why we need to support institutional journalism even in this era of democratized media.”
– Samantha Grant, filmmaker

Recently Independent Lens premiered the film, A Fragile Trust, the shocking story of Jayson Blair, the most infamous serial plagiarist of our time, and how he unleashed the scandal that rocked The New York Times and the entire world of journalism.

Inspired by the film, Decisions on Deadline takes the story to another level with a fast-paced game that puts players in the shoes of working journalists as they report on the daily drama of life in Southside, a fictional American town.

We asked producers Samantha Grant and Brittney Shepherd about their foray into making games, their hopes for impact, and ethics and journalism in the digital age.

How did the film, A Fragile Trust, inspire the game?

Samantha Grant (SG): I was a BAVC MediaMaker fellow in 2011, and it was there, during that fellowship, that I first dreamed up the idea for a journalism ethics game. Brittney was attending the fellowship with me, as the co-producer of the film, and at one point during a presentation on gaming, I turned to her as said ‘Yes! A Game!” I wanted to make the game because I realized that the film I was making was bringing up a lot of problems in the field of journalism without offering any solutions. I’m the type of person who, when I see a problem, I immediately start thinking about solutions. Continue reading

PBS Annual Meeting 2014: A Guide to the City by the Bay

In less than a week, public television professionals will gather in ITVS’s hometown of San Francisco for PBS’s Annual Meeting and we thought it would be fun to provide attendees with recommendations for things to do and see while in town.

btb_annualmeetingbanner

Whether you’re a bibliophile in search of some good reading material or just want to experience a bit of indie history, here are a few of our favorite literary, theatre, and music destinations:

City Lights

Founded in 1953, this literary landmark was once the go-to spot for the poets and beatniks of the counterculture era. Today, City Lights is three floors high and filled to the brim with both new releases and obscure titles from small, harder-to-find specialty publishers. If you’re looking for something special to bring back home, check out their local section – you won’t find mementos like these in the airport gift shop! 1585 Folsom Street.

Green Apple Books

Not only does Green Apple make an appearance on just about every “Best of the Bay Area” list there is, in 2012 author Dave Eggers named it one of the best bookstores in the country. Come prepared by grabbing a snack at the nearby Toy Boat Dessert Café, because you truly could spend hours browsing one of the largest collections of used books in the city.  506 Clement Street

Castro Theatre

While the film on the screen may be the main attraction, this 1920s movie palace truly steals the show; the fantasy setting includes ornate ceilings, gold-framed mirrors, dramatic mezzanine staircases, and a pipe organ that is played before selected films and events. You’ll find a wide array of films and activities on the schedule, including repertory movies, cult classics, theme nights, film festivals, and sing-a-longs. 429 Castro Street Continue reading

Hacking Story at ITVS

By Karim Ahmad
ITVS Senior Digital Content Strategist, @the_karachi_kid

ITVS recently hosted four producer teams who were greenlit by the organization’s newly developed ITVS Storylab initiative. These producer teams met with ITVS staff and external mentors to gain intensive consultation in the areas of story development, user experience mechanics, and producing multi-platform content. 

btb_storylab

In early April, ITVS rekindled its love affair with the hackathon. And while we’ve hosted hackathons before, this was something different. This time, we weren’t coding anything. We were hacking story. Not a totally new concept, our process was inspired by our good friends at StoryCode, who’ve run a couple story hackathons in the past – events borrowing from the software development world’s rapid prototyping process to create digital multi-platform stories at breakneck pace. And that’s exactly what we did. We selected a handful of immensely talented indie storytellers with ideas for immersive webseries concepts, and locked them in a room for two days to conceptualize, scope, and paper prototype them for ITVS.

And why? To answer that, let me back up a few steps.

Call it what you like – immersive storytelling, cross-platform, cross-media, or the now-seemingly-dreaded “T-word” (aka transmedia) – if you’ve had a conversation with me about it in the last couple years, you know I have a real obsession with it’s applications to creating impactful and artistic fictional storyworlds. Interactive docs are awesome. But as I said at our recent SXSW panel on the very same subject, i-docs are officially everywhere – including here at ITVS – but if you ask me, the real wild west of transmedia storytelling right now is in fiction.

Look at most narrative webseries and you’ll find they mimic a broadcast paradigm – either the episodic serial or the anthology, like FUTURESTATES. And while I love these stories, I’ve long felt that the new opportunity with web series is to create one that doesn’t feel like a broadcast series – one that really unleashes the user experience potential of web to tell a nonlinear story in serialized form. Our upcoming and final season of the FUTURESTATES series is exactly that. The first act of this narrative is unfolding right now on Twitter and Tumblr. And on May 14, 2014, we’re taking it to a whole new level. It’s a multi-platform futuristic mystery, with you at the center of it all. Stay tuned, you won’t want miss it. Continue reading

Fundraising in a New Media Landscape: Three Lessons From Sundance

This year, three ITVS-supported films premiered at the 2014 Sundance Film Festival. Filmmaker Thomas Allen Harris showcased both his feature film and transmedia project as a part of New Frontier, a program that showcases multi-media storytelling. These projects inspired ITVS to create a panel focusing on the challenges of fundraising for documentary and transmedia projects.

Kamal Sinclair, Sr. Manager Sundance New Frontier Story Lab; Jim Sommers, Sr. Vice President of Content at ITVS; N'Jeri Eaton, Programming Manager at ITVS; Thomas Allen Harris, Through A Lens Darkly and Digital Diaspora Family Reunion; Shukree Tilghman, More Than A Month and More Than A Mapp app; Kay Shaw, Director of Public Media Corps at NBPC

Pictured (L-R): Kamal Sinclair, Sr. Manager Sundance New Frontier Story Lab; Jim Sommers, Senior Vice President of Content at ITVS; N’Jeri Eaton, Programming Manager at ITVS; Thomas Allen Harris, Through A Lens Darkly and Digital Diaspora Family Reunion; Shukree Tilghman, More Than A Month and More Than A Mapp app; Kay Shaw, Director of Public Media Corps at NBPC

The panel marked ITVS’s first event with the Blackhouse Foundation. For the last seven years, Blackhouse has held a venue at the Sundance Film Festival as a place that both celebrates Black cinema and provides networking opportunities for filmmakers.

The panel was packed with experts in the field who could speak specifically to the challenges facing filmmakers. Panelists included Director of Public Media Corps Kay Shaw from the National Black Programming Consortia; Senior Manager Kamal Sinclair from the Sundance New Frontier Story Lab; filmmaker Thomas Allen Harris of Through a Lens Darkly and its transmedia component Digital Diaspora Family  Reunion, and myself.  The panel was moderated by filmmaker Shukree Tilghman, who also went through the film/transmedia funding gauntlet with his film More Than A Month and the related phone app More Than A Mapp. Continue reading

Diversity Development Fund Announces New Projects

ITVS has announced the eight documentary projects selected as part of the 2013 Diversity Development Fund, a funding initiative that provides research and development funding to producers of color to develop single documentary programs for public television. 

ddf

This year’s selections provide extraordinary access and insight into the daily lives and struggles of people around the world, from Navajo railroad workers in the U.S. to an interracial punk band during the height of apartheid in South Africa.

The productions were selected through a competitive application process, which resulted in 114 submissions.

Check out the complete list of funded projects after the jump. Continue reading