African American
Herskovits at the Heart of Blackness Premiering Tonight on Independent Lens on PBS
“Herskovits ‘was one of the most important people you’ve never heard of… But when it comes to the topic of African-American cultural history, he’s at the center of the debate.’”
- The Jewish Week
Who has the authority to define your identity? Considered one of the most controversial scholars of our time, Melville Herskovits — a Jewish anthropologist — challenged the norm in the 1940s when he wrote that black culture wasn’t pathological, it was African. Leading a seismic shift in the way African American culture is understood, Herskovits’s work raises ideas that still challenge us today.
Herskovits premieres tonight, February 2, at 10:00 PM on Independent Lens on PBS (check local listings).
This month, Independent Lens concludes its Music Month celebration with a powerful new documentary P-Star Rising.
Watch a preview and listen to musical hits featured in or inspired by the music month films >>
John Antonelli Discusses Inspiration Behind Sam Cooke
The ITVS film Sam Cooke: Crossing Over recently premiered on American Masters on PBS. The film looks at the musical and political significance of composer, performer, and pioneering pop music entrepreneur Sam Cooke and the circumstances that led to his murder. Beyond the Box recently caught up with producer John Antonelli to discuss his interest in the topic, why he approached ITVS for funding, and what he hopes viewers took away from the film.
Executive Producer Avon Kirkland, Narrator Danny Glover, and Producer John Antonelli.
How did you first get involved with filmmaking? Are there any specific topics that interest you?
My production company came out of the experience of making my Jack Kerouac documentary in the early 80s. My partner Will Parrinello and I have been working together since then making a variety of films that focus on the environment, culture, and politics. The Sam Cooke program goes full circle back to producing a full-length documentary about a cultural icon.
What made you interested in Sam Cooke?
I’ve always loved Sam Cooke’s music since I discovered it as a teenager back in the early sixties. When I read Daniel Wolff’s biography You Send Me, I was quickly convinced that I should try and make a film about him. Wolff was supportive but wasn’t interested in forming a partnership. At that point, I decided that I would make the film for PBS directly. We managed to reach many of Cooke’s closest friends and relatives to do interviews for the film.
Why did you approach ITVS for funding?
I’ve always wanted to do a project with ITVS and have applied there with various films. I knew when I decided to do this project for PBS that I had two strong options for funding and distribution –– ITVS and American Masters. If ITVS were an individual, you could say that I was their stalker. I started applying to ITVS back in 1998 when I started making the film. I applied and got rejected, and as I had on previous projects, signed up for their feedback session. Although I didn’t like hearing the reasons from different anonymous panel members why they didn’t like the project, I also heard some encouragement sprinkled in with the criticisms. I then set out to improve the proposal and sample tape. Little did I know that this process of applying and getting feedback would take another nine years before it would get funded. The feedback–– almost as much as the financing –– is a big reason why I was able to complete the film. The feedback always gave me specific ways that I could make the project stronger. As far as I know, ITVS is the only entity in the documentary world that gives this kind of feedback –– it is something that every filmmaker should take advantage of.
ITVS Celebrates Black History Month
Nine-year-old Pricilla from P-Star Rising, airing Feb. 9 at 10:00 PM on Independent Lens on PBS.
Mine, premiering Feb. 16 at 10:00 PM on Independent Lens on PBS.
ITVS and PBS offers viewers the opportunity to explore the rich and vibrant history and cultural contributions of African Americans throughout the year, but this month offers a special slate of new and encore programs in honor of Black History Month.
Independent Lens brings race to the forefront with four new films in February. Herskovits at the Heart of Blackness, debuting Feb. 2, explores the often-overlooked legacy of Jewish anthropologist Melville Herskovits, whose ideas in the 40s and 50s challenged the accepted assumptions about race and culture. Then, tune in on Feb. 9 for P-Star Rising, which looks at nine-year-old Pricilla who wants to be the youngest female rap star ever and her single father who is determined to help her make it big. This film also closes out the special line-up of compelling films as part of Independent Lens’s Music Month.
A third film, Mine, premiering Feb. 16, tells the poignant and powerful story of animals left behind during Katrina, and of the struggles of hurricane victims to reunite with their beloved pets. Finally, Behind the Rainbow, airing Feb. 23, unearths once-hidden realities of South Africa’s political obstacles on the path to democracy.
Other ITVS films airing this month on PBS include: February One: The Story of the Greensboro Four, which looks at the pivotal event in the Civil Rights Movement when four college students staged a sit-in at a Woolworth’s lunch counter in Greensboro, North Carolina in 1960, and Scarred Justice: The Orangeburg Massacre 1968, which investigates the continued cover-up of the tragedy of 1968 on the campus of South Carolina State University and follows ongoing efforts to seek justice.
Get local broadcast information >>
Thousands of hours of PBS programming are available on the PBS Video Portal, including a special collection for Black History Month.
Watch these video clips of upcoming new Independent Lens programs (check local listings):
Herskovits at the Heart of Blackness, Feb. 2 at 10:00 PM on Independent Lens on PBS
Reconstructing History: Filmmakers Discuss Objective Storytelling
This is the companion piece to Scarred Justice: The Orangeburg Massacre 1968, which airs in February on public television, and investigates the continued cover-up of the tragedy of 1968 on the campus of South Carolina State University and follows ongoing efforts to seek justice.
Filmmakers Bestor Cram and Judy Richardson discuss how they visually reconstructed a shocking historical event of which there is very little archival footage, without influencing the objective telling of the story.
Scarred Justice: The Orangeburg Massacre 1968 airs in February on public television (check local listings).
A co-production of ITVS in association with the National Black Programming Consortium (NBPC).
Hip-Hop: Beyond Beats &Rhymes Premiering Tonight on Independent Lens on PBS
“… a broad and eye-opening portrait of hip-hop masculinity.”
- The Washington Post
Hip-Hop: Beyond Beats and Rhymes takes an in-depth look at machismo in rap music and hip-hop culture — where creative genius, poetic beauty, and mad beats collide with misogyny, violence, and homophobia.
Get broadcast listings and discover other films featured now during Independent Lens’s Music Month. Learn more >>
Hip-Hop premieres tonight, January 26, at 10:00 PM on Independent Lens on PBS (check local listings).
Robert Clift Looks at Racial Identity in Hip-Hop Music
Blacking Up: Hip-Hop’s Remix of Race and Identity, airing in February on public television, explores the tension between white racial identity and black cultural propriety at a time when hip-hop is redefining American life. Filmmaker Robert Clift recounts some of the questions he received about the film and what it was like working with white rappers — including Vanilla Ice. Read his take below.
C-Note of Too White Crew performs at the Bluebird in Bloomington, Ind.
In the years leading up to this film’s release, I’ve wondered, like any filmmaker, how people were going to react to it. Thanks to Janet Jackson and Justin Timberlake’s Super Bowl show, fines from the FCC was a top concern for many at PBS, and the topic of my film lent itself to some objectionable language. So for years while my film waited for an audience, I fielded people’s questions and comments.
“When am I going to see it?”
“White kids and hip-hop? You’re doing a film about wiggers?”
“Don’t you think we’re past this already?”
“Is that what my kid is doing?”
“It’s going to be on PBS?”
“Did you really interview Vanilla Ice?”
First, yes, I did really interview Vanilla Ice, and yes, he really did consent to the interview. To be honest, I found his cooperation surprising. Getting white people to talk about race was perhaps the most difficult part of making this film, and that difficulty doubled when it came to white rappers. I would have loved to interview Eminem, for example, but I had little success with anything but being brushed off by his handlers. The perception was that he had too much to risk. Too many people, too many hip-hop magazines, some of which were started by white people, might use it as an opportunity to go after him.
Blacking Up: Hip-Hop’s Remix of Race and Identity airs February on public television (check local listings)
Remembering Martin Luther King, Jr. and his Legacy
“Nonviolence is a powerful and just weapon. It is a sword that heals. [It] cuts without wounding and ennobles the man who wields it.”
- Dr. Martin Luther King, Jr.
At the heart of the U.S. Civil Rights Movement in the 1950s and 1960s was the use of nonviolent direct-action protest. Inspired by the example of Jesus, and the teachings of Mahatma Gandhi during India’s struggle for independence, black church and community leaders in the United States began advocating the use of non-violence in their own struggle. Beyond spontaneous and planned student sit-ins, several organizations were formed to fight for civil rights using Gandhi’s model of nonviolent dissent and action. Three of the most influential groups—the Congress of Racial Equality, the Southern Christian Leadership Conference, and the Student Nonviolent Coordinating Committee—were pivotal in bringing about social change in America.
Read more about the life of King, Jr. on the Independent Lens website >>
Check out the PBS Indies page on iTunes where you’ll find these powerful films about the African American civil rights movement
Adjust Your Color: The Truth of Petey Green
The unlikely story of America’s original shock-jock — Petey Greene — who battled the system and his own demons during a time of civil unrest in the nation’s capital.
Banished
From the 1860s to the 1920s, towns across the U.S. violently expelled African American residents. Today, these communities remain virtually all white. As black descendants return to demand justice, Banished exposes the hidden history of racial cleansing in America.
Each film is now available for rent for $2.99 or for purchase at $9.99.
Sam Cooke: Crossing Over: Tonight on American Masters on PBS
“What to Watch Monday: American Masters opens with a profile of the soul titan Sam Cooke. A highlight: Lou Rawls explaining how touring gospel singers (like Mr. Cooke, early in his career) ‘got over good’ — even better than R&B and jazz musicians — because of their wholesome reputations.”
- The New York Times
In 1958, when Sam Cooke crossed over from gospel to “the devil’s music,” he set in motion a chain of events that altered the course of popular music and race relations in America. Sam Cooke: Crossing Over examines Cooke’s musical and political significance during the early civil rights movement and unravels some of the myths surrounding his life and death, revealing a complex portrait of a flawed but talented man.
Sam Cooke: Crossing Over premieres tonight, January 11 at 9:00 PM on American Masters on PBS (check local listings).
A co-production of ITVS in association with the National Black Programming Consortium (NBPC).
Filmmaker Shukree Hassan Tilghman Discusses MORE THAN A MONTH
ITVS funds, distributes and promotes new programs produced by independent producers primarily for public television and beyond.
Check out the clip below with filmmaker Shukree Hassan Tilghman, who received Open Call funds for MORE THAN A MONTH, a tongue-in-cheek film about his cross-country campaign to end Black History Month. The film looks at what the treatment of history tells us about race and equality in a “post-racial” America. Learn more about his film, which filmmakers inspire him and the challenges of exploring this topic.
Watch HARLEM IN MONTMARTRE: A Paris Jazz Story Tonight on Great Performances
Ada Bricktop Smith, Mabel Mercer and guests at Bricktop's, a popular jazz club in Paris.
After World War I, many African Americans remained or returned to Europe, and over the next two decades, created an expatriate community of musicians, entertainers, dancers, and entrepreneurs, primarily congregating in Paris’ hilly Montmartre neighborhood. Based on the book by William Shack, HARLEM IN MONTMARTRE: A Paris Jazz Story looks at the impact of African American performers and musicians during the great jazz era of Paris.
HARLEM IN MONTMARTRE airs tonight, August 26, on Great Performances on PBS (check local listings).
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