U.S. INPUT 2013 Call for Entries

INPUT 2013 will be held in El Salvador on May 6 – 9, 2013. All U.S. programs must be submitted to U.S. INPUT pre-selection. The deadline for U.S. submissions is Friday, November 9, 2012 at 5 pm EST.

The International Public Television Screening Conference (INPUT) is a global meeting point for public broadcasting professionals to challenge the boundaries of media in the public interest. By screening and debating the most outstanding programs from around the world, INPUT builds an intercultural and international media network that encourages the development of public service broadcasting.

Each country holds its own national selection at a different time so please adhere to this U.S. deadline. For instructions and guidelines to enter your public media film, TV show or interactive, go to www.usinput-tv.org.

Last Call to Apply for a U.S. INPUT Producer Fellowship

The deadline for applications to attend the 2012 INPUT in Sydney, Australia is Tuesday, April 2, 2012.

A limited number of INPUT 2012 Producer Fellowships will be awarded to U.S. public media producers to attend INPUT in Sydney, Australia on May 7 – 12, 2012. For more information about the U.S. INPUT Producer Fellowship application process, visit U.S INPUT managed by SCETV at or contact the U.S. INPUT National Coordinator Amy Shumaker.  

INPUT is the International Public Television Screening Conference, an annual international forum for television professionals to discuss and challenge the boundaries of television in the public interest. Learn more about the INPUT 2012 conference here.

This project is made possible by funding from the Corporation for Public for Broadcasting.

SCETV to Award Producer Fellowships to Attend INPUT 2012 in Sydney

A limited number of INPUT 2012 Producer Fellowships will be awarded to U.S. public media producers to attend INPUT in Sydney, Australia on May 7 – 12, 2012. The deadline for applications is Tuesday, April 2, 2012.

For more information about the U.S. INPUT Producer Fellowship application process, visit U.S INPUT managed by SCETV at or contact the U.S. INPUT National Coordinator Amy Shumaker.  

INPUT is the International Public Television Screening Conference, an annual international forum for television professionals to discuss and challenge the boundaries of television in the public interest. Learn more about the INPUT 2012 conference, here.

Where were you on Monday, May 9?

Women and Girls Lead was among the many public media items discussed at this year’s INPUT conference in Seoul, Korea.


A big chunk of the public broadcasting world was in Seoul, Korea, attending INPUT, an annual conference where filmmakers, broadcasters, and distributors gather to watch and discuss the best public media programs of the year.

But another bit of exchange took place that day, as some 150 attendees turned out to hear Jennifer Lawson of the Corporation for Public Broadcasting (CPB) and other panelists discuss the role of public broadcasting in focusing, educating, and connecting audiences around critical issues — in this case, equal access to opportunities for women and girls.

The panel helped build interest and excitement for the official launch of Women and Girls Lead — a multiyear public media initiative featuring films and other media by the world’s best independent producers — a week later at the PBS Annual Meeting in Orlando, Florida.
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Pub TV’s INPUT Festival is All Seoul

By: Judy Ehrlich

INPUT’s weeklong showcase of content from international media-makers ran this past week in Seoul, Korea. Among the many filmmakers in attendance was Judy Ehrlich, whose documentary Most Dangerous Man in America screened at the event. She offered BTB this on-the-ground account from the festival.

Four jam packed days, dozens of films, discussions, debates, brutal honesty, humor mixed with painfully serious subject matter, and a delirious evening of Korea’s top musical acts in an eclectic concert in our honor and broadcast live.

For those who have never had the pleasure of attending INPUT, it isn’t just another film festival. INPUT is a yearly conference exploring TV making with peers from around the world. It is a chance for public television staff, leaders, and independent producers to share their programs and debate ideas about the future of the medium.

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U.S INPUT 2011 Pre-Selection Finalists Announced



INPUT (International Public Television)
is an organization that brings together producers, media professionals, and broadcasters from around the world for a week-long showcase of content and discussion each year, creating a forum “where the rules of broadcasting are challenged and redefined.” This year the INPUT conference will be held in Seoul, Korea on May 9 – 12.

The U.S. INPUT  national pre-selection panel has chosen 17 U.S. television programs and transmedia projects to compete at INPUT international selection and nine of the finalists are ITVS projects.

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Deadline for INPUT 2011: Dare the Future

INPUT (International Public Television) is an organization that brings together producers, media professionals, and broadcasters from around the world for a weeklong showcase of content and discussion each year, creating a forum  “where the rules of broadcasting are challenged and redefined.”

U.S. INPUT is now accepting American submissions for INPUT 2011: Dare the Future in Seoul, Korea. The deadline is Nov. 5, 2010 and there is no entry fee! For more information check out: www.scetv.org/input.
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U.S. INPUT 2010 Call for Entries, Deadline Nov. 6

The International Public Television Screening Conference (INPUT) is a global, voluntary organization set up by television professionals for television professionals––centered around an annual screening conference. INPUT 2010 will be held in Budapest, Hungary, May 8-12. The aim is to showcase, inspire and lead television programs in the public service.

The deadline for U.S. INPUT pre-selection is Friday, November 6, 2009. There is no entry fee.

For more information, contact Amy Shumaker at shumaker@scetv.org or (803) 737-3433.

Visit the INPUT Web site for a submission form and more information >>

Also, be sure to check out the Beyond the Box Blog entry by ITVS’s Executive Vice President and CFO Judy Tam in which she discusses the selection process and history of INPUT. Learn more >>

ITVS Executive Vice President and CFO Judy Tam Discusses INPUT

The International Public Television Screening Conference (INPUT) was created to promote the exchange of television programs, ideas, and production techniques among broadcasters around the world. This year, ITVS programs CHICAGO 10, by Brett Morgen, and OPERATION FILMMAKER, by Nina Davenport, are Official Selections. Read the Q&A below with ITVS Executive Vice President and CFO Judy Tam to learn more about INPUT and ITVS’s involvement.

What exactly happens at INPUT and why does ITVS participate?
The INPUT conference is a global media screening event showcasing of programs broadcast on public television systems around the world. Unlike festivals and markets, the intention of the conference is to exchange, discuss and share. During the five-day event, there are three screening rooms concurrently running programs. Each year the conference is hosted in a different country. In recent years INPUT has been held in Johannesburg, South Africa; Lugano, Switzerland; Taipei, Taiwan; Barcelona, Spain; and San Francisco, California.

Since INPUT is open to international public broadcasters, how many countries usually submit to it?
There are probably anywhere from 60 to 100 countries each year submitting programs for program selection consideration. The programs cover a variety of genres and must have been broadcast on public television.

How many ITVS films will be at INPUT this year? Does the United States have a strong presence at the conference?
Of the four U.S. programs selected this year, two of them are ITVS programs. This is far less than in past years, when we have sometimes funded six out of seven U.S. programs. I represent ITVS on the International INPUT Board with one other U.S. representative. INPUT has one shop steward from the United States, and there is a national coordinator for U.S. program submission. U.S. presence has waned in the last few years, but because ITVS successfully hosted the 2005 Conference in San Francisco with 1700 delegates in attendance, recognition for the United States is high. There are probably about 20 to 50 U.S. delegates at the conference each year. It has been a little bit of a challenge getting public broadcasters in the United States to participate. But, through an important scholarship fund provided by the Corporation for Public Broadcasting for a number of years, independent producers, station staff and media professionals have been able to attend the conference and sometimes present programs.

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