Establishing a Content Strategy for the Future

By Jim Sommers
Senior Vice President of Content, ITVS

ITVS teams adapt and work together to better serve producers in a dynamic, chaotic media environment.

Five years ago, as the opportunities for creating and distributing content in a multi-platform, cross-media environment were compounding, the funding and rights management environment intensifying, we strategized internally on how to best support independents to thrive in this ever-changing media environment. What it took to fund, distribute, and promote independent film through a simple broadcast model required a shift to connect many more dots to reach audiences digitally. In short, success demanded a multi-pronged approach with more collaboration, flexibility, and partnership across everything we do. We also wanted to provide many points of access to producers seeking funding from ITVS.

Today, we have a service model and culture guided by a Content Strategy Team and several other cross-functional teams to support producers as they absorb new forms of content creation and distribution into their creative processes. The “CST,” also known as the “greenlight” team, finalizes all the programming slates and ensures that ITVS’s content portfolio achieves its mission of diversity and innovation and tracks how our content reaches and engages diverse audiences.

In addition to me, the CST members include: Claire Aguilar, Executive Content Advisor (formerly Vice President of Programming); Lois Vossen, Senior Series Producer of Independent Lens; Matthew Meschery, Director of Digital Content and Innovation; Sreedevi Sripathy, Managing Director of Distribution and Content Management; and Tamara Gould, Vice President of International, who heads up strategic partnerships. Continue reading

Big Changes to ITVS International!

ITVS International Call promotes the exchange of compelling documentary films between the United States and other nations, going beyond stereotypes and headline news.

We no longer have a once a year submission deadline but consider projects on a rolling basis. This is a big change!

ITVS International enables independent producers from outside the United States to create documentaries for U.S. television. Through our International Initiative global storytellers introduce U.S. audiences to their world, their neighbors, opening a window into unfamiliar lives, experiences and perspectives.

The International Initiative provides production and/or post-production funds for single non-fiction television documentaries that bring international perspectives, ideas, stories and people to a U.S. audience. This initiative is for non-U.S. producers and filmmakers who live outside the U.S.

Please note: ITVS International Initiative is an all digital submissions process.

Please read our new guidelines; there are important changes that you should note before applying.

For those guidelines, eligibility and how to submit, please visit www.itvs.org/funding/international

PLUS we invite you to join the [ITVS] International Documentary Group on Facebook: share your news, read global doc news, see great clips, get updates on funding, and more, more, more! The best thing is, you set the agenda. We’re listening, and we want to hear about your projects, what you’re excited about, what trends you’re seeing in the global doc community.

Join the group here.

 

 

A Storified Account of Women and Girls Lead in Action

ITVS and CARE presented a powerful screening of Pray the Devil Back to Hell on Wednesday night in Washington D.C. and via Livestream. ITVS’s Rebecca Huval combed through the tweets and online chatter to provide this storified account, which you can find after the jump.

A shot from Wednesday's Livestream of the documentary Pray the Devil Back to Hell


Continue reading

What Do Protagonists Get Out of Documentaries?

Filmmaker Koen Suidgeest of Karla’s Arrival explains why doc films offer a voice to those who have been silenced. Karla’s Arrival will have its U.S. premiere at the NY International Latino Film Festival on August 17.

If there’s anything that has become clear to me, it is that different audiences all over the world have very similar humanistic questions.  And after numerous private and festival screenings, I have a pretty good idea what audiences wonder about after seeing the film.

Karla’s Arrival is about teenager Sujeylin Aguilar who lives in a park in Managua, Nicaragua. In the beginning of the story, she is pregnant and planning to raise the child right there on the streets. We follow her through the birth of baby girl Karla and during the first year of their lives together.
Continue reading

Live Chat on International Call

The deadline for International Call is December 10, 2010

ATTENTION non-U.S. filmmakers, the new International Call deadline of December 10, 2010 is sneaking up on us all. In order to prepare the most competitive applications possible, ITVS is pleased to be hosting this live chat about the funding deadline to answer questions about the application process.

Senior Programming Manager Cynthia Kane and ITVS staffers will be online to field questions in real-time starting at 5 AM Pacific (find out what time that is for you.) Please sign in below and start loading your questions. We hope to get to them all!

About the International Call: International Call provides production and/or post-production funds for single non-fiction television documentaries that bring international perspectives, ideas, stories and people to a U.S. audience. This initiative is for non-U.S. producers and filmmakers who live outside the U.S.

Find out how to apply and join our International Filmmaker Networking Group on Facebook.

Next on BTB Live: All About International Call

The new International Call deadline is December 10, 2010

ATTENTION all non-U.S. filmmakers, the new International Call deadline of December 10, 2010 is quickly approaching.

Join us this Wednesday November 24 for a live chat here at 5 AM Pacific Standard Time. ITVS Programming Manager Cynthia Kane will be taking your questions so be sure and find out what time the chat is for you.

All questions are welcome on the application process; tips on writing a compelling treatment; what ITVS staff is looking for; what we want in a work-in-progress; what happens if you’re funded; and so forth.
Continue reading

International Call Profile: Rachel Wexler

Filmmaker Rachel Wexler

With the International Call deadline less than a month away (December 10, 2010!), BTB is highlighting past recipients of funding through that initiative. This week, we turn to Producer Rachel Wexler who teamed up with Director Geoffrey Smith on his Emmy Award-winning documentary The English Surgeon. Wexler is also attached to the ITVS-funded film My Perestroika, which is currently in production.

Beyond the Box: First off, congratulations on the Emmy!

Rachel Wexler: Thank you very much. Unfortunately I couldn’t be in New York for the ceremony as I was not well enough to travel. I was very disappointed not to be there, but you’ve got to be fit if you’re going to make that transatlantic journey.

The director, Geoffrey Smith, called me at about 2 AM with the news and I was so excited I was unable to go back to sleep!
Continue reading

International Call Profile: Simon Chambers

Filmmaker Simon Chambers

As the new International Call deadline quickly approaches (December 10, 2010!), BTB is highlighting past recipients. This week, we turn to filmmaker Simon Chambers and his film Cowboys in India which will air on Global Voices next year. The film follows one tribe’s fight to rescue a sacred mountain from a multinational mining company. For those interested in applying for International call, take a look at the application and join the Facebook group to keep up with developments.

Beyond the Box: How did you get involved with this film?

Simon Chambers: I’ve been going to India for a long time and had a great curiosity about the country and I just wanted to spend more time there. India is one of those places I had an immediate affinity for.

Cowboys in India will air next year on Global Voices

There were a bunch of tribal people in a remote part of India and they were fighting with bows and arrows to stop a British mining company from chopping the top off their sacred mountain. An anthropologist who knew the area well asked if I would accompany him. He said he had been getting various threats from the company.

So I originally thought I would go there and make a film with him and use him as a main character. While on the trip, I met the two main characters of my film, Satya and Daya. They were my driver and my guide.
Continue reading