By Musa Syeed
Filmmaker, 30 Mosques
Musa Syeed is one of the hottest up and coming filmmaking talents in the U.S. His work includes documentaries such as A Son’s Sacrifice, Bronx Princess, and a narrative feature, Valley of Saints — which is currently on the festival circuit. He has also been experimenting with new, interactive forms of storytelling, and we asked him to write about his experiences for BTB.
For most of my life, I’ve been something of a technophobe. Maybe it was that I watched The Terminator at too young an age or perhaps it was my father’s insistence on the superiority of the microwave, but either way, an epic struggle with artificial intelligence and subsequent robot armageddon has long seemed to me not only possible but imminent.
And I felt that as a filmmaker, I had reason to fear technological advancements in the field. New media/interactive/transmedia was making a medium I revered as a child seemingly obsolete, banishing motion pictures from the majestic big screen to pathetic, paltry iPhones.
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