Vilmos Zsigmond
Vilmos Zsigmond Answers Your Questions
Iconic cinematographer Vilmos Zsigmond — DP on such classics as The Deer Hunter, McCabe and Mrs. Miller, and Close Encounters of the Third Kind — sat down with Independent Lens to answer a few of the questions the audience posed to him earlier this season.
Find out who his favorite directors and fellow cinematographers are, what’s wrong with American film schools, and what exactly constitutes the “American New Wave” he and his best friend Laszlo Kovacs are sometimes credited with ushering in during the 1960s and 1970s.
Read the full interview here>>
NO SUBTITLES NECESSARY Premiering Tonight on Independent Lens
“…A tale of friendship and survival that has become legend in Hollywood.”
- Los Angles Times
“[NO SUBTITLES NECESSARY is] about a friendship between men who shared certain unusual, difficult experiences, and how those experiences shaped their art.”
- The New York Times
They took Hollywood by storm––escaping the brutal Soviet oppression of the Hungarian Revolution and rising to fame with classic films like Easy Rider, Deliverance, Close Encounters of the Third Kind and The Deer Hunter. Cinematographers Laszlo Kovacs and Vilmos Zsigmond pioneered the “American New Wave,” defining innovative ways to tell stories. This is an intimate portrait of the 50-year journey of two giants of modern image making and their deep bond of brotherhood that transcended every imaginable boundary.
NO SUBTITLES NECESSARY: Laszlo & Vilmos premieres tonight, November 17, at 10:00 PM on Independent Lens on PBS (check local listings).
Inside Indies: Ask Vilmos!
If you could ask acclaimed cinematographer Vilmos Zsigmond a question, what would it be?
The beloved co-subject of NO SUBTITLES NECESSARY: Laszo & Vilmos, Zsigmond is a legend for his fine camerawork, having shot films such as The Deer Hunter and Close Encounters of the Third Kind.
For our Inside Indies feature, we’ll be talking to Vilmos and asking him questions from filmmakers and audiences worldwide. His answers will be posted on Inside Indies later this month.
Cinematographer Vilmos Zsigmond Honored at Independent Lens Season Launch Party
Last night, over 250 people gathered at the Thompson Hotel in Beverly Hills to celebrate the season launch of Independent Lens, which premieres October 13 on PBS with host Maggie Gyllenhaal. This year’s Independent Lens Vanguard Award was presented to renowned cinematographer Vilmos Zsigmond for his distinguished career as featured in the upcoming broadcast of NO SUBTITLES NECESSARY: Laszlo & Vilmos, directed by James Chressanthis.
Oscar nominee Mark Rydell, a long-time collaborator and friend of Zsigmond, presented the award. Find out more about last night’s party, which attracted some of Hollywood’s biggest names, from Lois Vossen, Independent Lens series producer.

Cinematographer Vilmos Zsigmond (Easy Rider, Deliverance and Close Encounters of the Third Kind) receives the Independent Lens Vanguard Award.

Clips project above the rooftop pool at the Thompson Hotel in Beverly Hills.
What a way to kick off the upcoming season of Independent Lens! Last night’s season launch party brought out a huge crowd that seemed to grow in attendance by the minute.
The highlight of the evening was the presentation of the Independent Lens Vangard Award to Vilmos Zsigmond, featured in the upcoming film NO SUBTITLE NECESSARY: Laszlo & Vilmos by director James Chressanthis.
Oscar nominated actor and director Mark Rydell presented the award to his dear friend. Together they’ve collaborated to make The Rose, Cinderella Liberty, The River and Intersection.
Throughout the evening, footage from the past seven seasons of Independent Lens projected against a white marble wall above the hotel’s rooftop pool. These extraordinary films showcased some of the wide-ranging films and cutting-edge work that the series has done over the years.
Everyone responded enthusiastically to the clip reel and the videos featuring our new host Maggie Gyllenhaal. Throughout the evening, I could hear the excitement over the upcoming slate of films. This reaffirms my belief that the quality of independent films has never been stronger, and the number of talented filmmakers never more diverse and exciting. We’re sure that audiences––watching on PBS and online––will agree.
It became wonderfully evident again that the Independent Lens family is growing and thriving. Dozens of filmmakers from previous seasons came out to celebrate, and I was especially pleased that so many filmmakers featured in this upcoming season were able to join as well.
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