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Interactive
Beyond Broadcast: Riding the Next Wave

By Caroline M. H. Kraus




OFF THE MAP

Since opening shop in 1991, ITVS has produced programming with a core mission—to expand cultural and global awareness, advance civic participation and creatively engage audiences, bringing new and diverse voices into the public discourse.

By 1994, with the digital revolution in full swing, ITVS Interactive became an increasingly active force in supporting that mission. With the growth of the Internet, the reach and impact of interactive content exploded. Filmmakers, educators, viewers and activists now had vast new spaces to share ideas, marshal resources, access funding and open channels of creative opportunity and exploration.

In the past 12 years, ITVS Interactive has pioneered new technologies to bridge communication between public television and the independent community, promoting discourse among viewers and visitors at large. But advanced technology is only part of the story, said Cathy Fischer, ITVS interactive senior producer. "Regardless of the delivery platform, content is always the key—it's the reason people stay, contribute and return. Technology serves content—not the other way around. And without great stories, visitors are just a click away from going elsewhere."

In its first incarnations, ITVS.org primarily served the promotional and outreach needs of its funded shows. By the time the first companion site was up and running in 1994, for A QUESTION OF COLOR, independent filmmakers were just beginning to see their stories thrive beyond televised air dates, with extended lives as interactive sites.

By 1998, ITVS.org had completed its first redesign, launching an expansive new website to great reviews. "ITVS was quick to plug into the power of the Internet," wrote Michael Fox in The Independent. "And its website has elicited across-the-board raves from the public, press, and filmmakers."

Now the site provided video previews, educational and distribution information, broadcast schedules, producers' resources and an electronic pressroom, making ITVS.org a key resource for audiences, producers, educators and journalists. By 1999, CNET had taken notice, describing ITVS.org as "…handsome and highly functional…provid[ing] a wealth of information to both interested television viewers and those in search of funding information…."

DIALOGUE AND DISCOURSE

THE SPLIT HORN
In 1998, ITVS Interactive developed its online forum, Talkback. It is now a standard feature on all ITVS show websites and a core resource for dialogue and debate. Some of the most intense Talkback discussions have turned up on the companion site for THE SPLIT HORN, which launched in 2001. THE SPLIT HORN is an intimate account of a Hmong shaman struggling to maintain his ancient traditions in the United States while his sons and daughters succumb to the allure of the American lifestyle. The film's portrayal of this conflict generated passionate online debate about the role of Christianity in the Hmong community—a debate that continues years after the film was broadcast.

Talkback has been critical to providing filmmakers with feedback and viewers with platforms to be heard. After the launch of the companion website for HOMELAND, filmmakers Jilann Spitzmiller and Hank Rogerson wrote:

HOMELAND
"It has been the best feeling in the world to check the Talkback section and get all the feedback. We think the website is really helping to further the understanding of viewers of the people in the film and the Native community."

A visitor to the HOMELAND site, Mitakuye Oyasin of Newcastle, Wyoming added, "[M]y heart is happy to have found this website today to learn that those in the ‘outside' world beyond the sacred Black Hills where I live, may come to learn of Lakota ways through programs such as this, so needed for our times."

STORE WARS
In 2000, inspired by the success of Talkback, ITVS launched its first live chat with OUR HOUSE: A Very Real Documentary About Kids of Gay and Lesbian Parents. And in 2001, the Washington Post Online hosted a special PBS chat about the issues tackled in STORE WARS: When Wal-Mart Comes to Town. That chat generated spirited debates among filmmaker Micha X. Peled, Al Norman, the founder of Sprawl-Busters, and Keith Morris, community relations manager for Wal-Mart, Inc.

Along with the more serious purpose of promoting discourse, ITVS Interactive is also in the business of fun and creative participation. Visitors to the companion site for STILL LIFE WITH ANIMATED DOGS can try their hand at creating cel animations by drawing their own animated "tail-chasing" dog. Visitors can also inscribe and email illustrated postcards.

9.11 MOMENTS
In November 2001, ITVS Interactive produced its first Web-original feature titled 9.11 MOMENTS. This project includes 34 short videos that capture different reactions to the World Trade Center disaster. 9.11 MOMENTS became a high-traffic site at ITVS.org, foreshadowing the next Web-original breakthrough at ITVS.org—Electric Shadows.

THE NEXT WAVE: ELECTRIC SHADOWS

Electric Shadows is a special funding initiative supporting Web-original projects that speak to the ITVS mission. These award-winning projects use the power of nonlinear interactive storytelling to explore social issues, arts and culture via the Web while inviting audiences to participate in topical dialogues.

FACE TO FACE
ITVS.org launched the first two Electric Shadows projects in 2002, each commissioned through a call for projects on the theme of cultural storytelling. FACE TO FACE conveys and compares the first-hand experiences of Japanese Americans interned in World War II with the more contemporary experiences of Arab Americans in the wake of 9/11. The site sparked dialogue and media attention as well as a special radio version, which aired on the NPR documentary series Soundprint.
CIRCLE OF STORIES
CIRCLE OF STORIES provides an interactive presentation of Native American storytellers. The site won praise from Jim Regan of the Christian Science Monitor, who wrote: "As a Web-only presentation, CIRCLE OF STORIES… is available year-round, at any time of the day or night—which is something that even the most syndicated of syndicated shows can't match. [And] CIRCLE also gives North Americans who aren't Native Americans a chance to learn a few stories from the place where they live."

BEYOND THE FIRE
In 2004, ITVS launched the third Electric Shadows project, BEYOND THE FIRE. This site engages and educates American teens—a group particularly underserved by public television—through the real-life stories of their peers from seven war-torn countries. Visitors navigate using an interactive world map, while learning the history of conflict in each country via an interactive timeline. One of the site's most innovative features is a virtual passport, which can be personalized and retrieved by password. Each visitor is also given an online travelog to share opinions about the teens' stories.

BEYOND THE FIRE won numerous awards, and its impact has spread to classrooms. Carlos Ramirez, a technology teacher in Mount Vernon, New York, reported, "We visited your website and discussed the ways war impacts children's lives. This information helps teachers to make students aware of the sacrifices that war imposes…and how we all should be concerned with bringing more peace and tolerance to the world."


OFF THE MAP

The most recent Electric Shadows project, OFF THE MAP, explores "backyard paradises" created by untrained artists. The OFF THE MAP site gives visitors a chance to build a paradise of their own online and guides the visitor through unique interactive features. All Electric Shadows projects can be experienced at PBS.org/independentlens, where they are a special feature of Independent Lens Online.

INDEPENDENT LENS AND COMPANION SITES

In 2003, ITVS and PBS launched the award-winning series Independent Lens. With the Internet now a given aspect of American life and media, ITVS knew the online companion to the series would need to be comprehensive, innovative and compelling to both viewers and those who hadn't tuned in. According to Fischer, one of the promising results has been that the companion sites have become destinations in and of themselves.
THE NEW AMERICANS
"THE NEW AMERICANS companion site consistently ranks high for Independent Lens," said Fischer, "and the film has not been broadcast in over a year. I think it's because the emotional impact of the series—the topic of immigration—touches so many people. Now people are going to the website for the interactive experience itself."

As part of Independent Lens Online, ITVS Interactive has also created Inside Indies, a resource for film fans and filmmakers, which launched in 2004. This section includes feature articles, selected filmmaker interviews, a feature called "Favorite Films," which lists filmmakers' favorite movies and invites visitors to add their own, links to great sites and a place for visitors to write in on the latest issues in independent film.

NEW HORIZONS

From content-rich companion sites and Web-original presentations to passport-driven virtual journeys, ITVS Interactive continues to explore, produce and present independent works in non-traditional ways.

And there is much to look forward to in 2006. For the next round of Electric Shadows, ITVS developed a special call for online game proposals. Game designer Ian Bogost was selected to create FATWORLD (working title), a game about the politics of food and eating in contemporary society. "There is a long tradition of art as social commentary," Bogost said. "With FATWORLD I will be drawing explicit attention to games as political speech in the hopes of evolving the medium."

Also in 2006, ITVS Interactive is slated to launch its first Independent Lens Online Shorts Festival, which promises to attract younger makers and audiences with exciting new venues for presenting films. "We hope that the Shorts Festival will reach emerging independent media makers who may not think to go the route of public television," said Fischer. "We plan to cast a wide net—with the ITVS mission, as always, at the forefront."
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