Military Women’s Long, Ongoing March to Equality

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Military women have marched toward increased rights throughout United States history. From the American Revolution, when they operated primarily as nurses, to the Iraq War, when they served covertly on the frontlines in Team Lioness, women have finally been acknowledged for the service they provide to the United States. As of January 2013, they are legally recognized as ground combat fighters.


Still, women and men alike struggle with the reality of rape in the military. Twenty percent of women and one percent of men have been sexually assaulted during a term of service. After The Invisible War shined a light on the issue, the power to prosecute sexual assault moved up the chain of command. Sen. Kirsten Gillibrand has also credited the documentary with shaping her approach to the Military Justice Improvement Act of 2013, announced May 16, which enables victims of sexual assault in the military to file their case with a JAG prosecutor instead of their commanding officers.

In honor of Memorial Day, watch Rebel (airing May 24 on PBS’s Voces) to learn more about one neglected female figure who shaped the United States military, Loreta Velazquez, Confederate soldier and Union spy. In the meantime, here’s a snapshot of female soldiers’ long path to the present:

  • During the American Revolution, in 1775, Maj. Gen. Horatio Gates told Gen. George Washington that, “the sick suffered much for want of good female Nurses.” Washington beseeched Congress, which approved one nurse for every ten patients. Women also served as water bearers, cooks, laundresses, and saboteurs.
  • During the Civil War, women soldiers on both sides disguised themselves as men in order to serve. In 1866, Dr. Mary Walker received the Medal of Honor. She is the only female to have been awarded this highest honor.
  • In World War I, 21,480 Army nurses serve in military hospitals in the United States and overseas. Eighteen African-American Army nurses serve stateside caring for German prisoners of war (POWs) and African-American soldiers. More than 400 military nurses die in the line of duty. The majority died from the “Spanish Flu.”
  • The Army establishes the Women’s Army Corps (WAC) during World War II. They were the first women besides nurses to “serve within the ranks of the United States Army.” More than 150,000 women served as WACs during the war. In 1942, Nancy Harkness Love organized 25 women pilots into the Women’s Auxiliary Ferrying Squadron (WAFS). The WAFS flew planes from the factory to military bases.
  • WACs in the Vietnam War supported the troops mainly in administrative military occupational specialties (MOSs). One WAC detachment was assigned to Headquarters, first at Ton Son Nhut Airbase, then at Long Binh. “While engineers readied new barracks at Long Binh, the women lived in a building typical of the tropics, with openings between outer wallboards and no windows,” according to Army.mil. “Red dust covered their rooms during the dry season, and rain soaked them during the wet season.”
  • By the end of 2004, 19 servicewomen were killed during the Iraq War. Team Lioness, featured in the documentary Lioness, was organized to search and soothe Muslim women in accordance with cultural customs. “These women in Ramadi would become the first to engage in offensive ground combat operations in this country’s history,” said Lory Manning, Director of Women in the Military Project, in an interview for Lioness. Continue reading →

Return to Elektra Springs Premieres on FUTURESTATES

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Writer and director Christopher Munch gives us this inside look at the inspiration behind this week’s FUTURESTATES short, Return to Elektra Springs, which is available to stream for free at futurestates.tv and on pbs.org.

My interest in the subject of new energy – advanced energy technologies that have historically had a hard time gaining traction because they run counter to scientific orthodoxy or have been suppressed by industrial or governmental elements – has grown over the past couple of years, even as the world has grown more in need of them. A century after Ida Tarbell published her landmark exposé of the Standard Oil Trust that led to its breakup, the list of inventors whose groundbreaking work had been ruthlessly kept from the public by way of intimidation, economic subversion, and even lethal force only continues to grow.

Recently, however, the progress made by such inventors as Andrea Rossi, whose LENR (cold fusion)-based “E-Cat” is beginning to be commercially marketed. There are a score of similar “over-unity” devices (devices generating more energy than is required to run them) in various stages of development, any of which, when allowed to come to fruition, could be nothing short of revolutionary in their ability to displace carbon-based fuels. Continue reading →

Newly Funded: ITVS is Pleased to Announce Funding for Deej

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ITVS recently approved funding for Deej, a documentary by Robert Rooy (Director/Producer) and David James Savarese (Producer).

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Deej is the story of DJ Savarese (“Deej”), a gifted, young writer and an advocate for nonspeaking autistics. Once a “profoundly disabled” foster kid seemingly on the fast track to nowhere, DJ is now a first year college student with a burning desire to stand up for those whose neurological differences cause others to summarily dismiss them as incompetent, often “housing them in classrooms of easy lessons.” As writer and co-producer of Deej, he seeks to quell deep-seated fears and heal old wounds while giving others like him a voice:

“This movie reassesses hope. Yes, yes, hope is not easy or free. Yes, hope is hard…. Not a sweet, dear, hopeful collection, our film asks hope to survive challenges and to hear our dear selves freed.”— DJ Savarese

Join ITVS in congratulating the filmmakers!

Promised Land Premieres on FUTURESTATES

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Director Joe Turner Lin gives us this inside look at the inspiration behind this week’s FUTURESTATES short, Promised Land, which is available to stream for free at futurestates.tv and on pbs.org.

My parents emigrated from Taiwan in the 1960s and I was raised with the narrative – some might say “mythology” – that America truly was a Land of Opportunity: a place where many different colored threads are woven together to form a tapestry stronger and more vibrant than if those threads been all been spun from the same field of cotton.

Born and bred in New York City, this “melting-pot” cliché was further solidified by my multicultural friends and peers. It seemed obvious to me that America was a place that gathered its strength from its diversity, and that historically, all of the growth times came out of the waves of immigrants that lapped up onto our shores, looking for a better life: Italians, Irish, Chinese, Mexican….

But as I grew older, I began to see that not all of my fellow Americans shared this perspective. While in my youth, I clung to my righteousness, over time I began to realize that my own condemnation of such black-and-white opinions was a shallow simplification itself. I was left wrestling with both sides, struggling to find compassion for an intolerance that I did not understand. Continue reading →

Newly Funded: ITVS is Pleased to Announce Funding for Almost There

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ITVS recently approved funding for Almost There, a documentary by filmmakers Dan Rybicky   (Director/Producer) and Aaron Wickenden (Director/Producer).

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Outsider artist Peter Anton, 82, has spent decades obsessively chronicling his rollercoaster of a life into a massive, illustrated autobiography, and nothing — not poverty, isolation, or crippling disabilities — will stop him from seeing it published. Almost There documents the curatorial complexities surrounding the discovery and stewardship of Anton’s work, addressing issues of identity and legacy that arise from the collision of biography and autobiography.

Join ITVS in congratulating the filmmakers!

Refuge Premieres on FUTURESTATES

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This week’s FUTURESTATES short depicts a future where a cyber attack on the United States Immigration database puts a young woman, Sonia, at risk of being deported back to Iran – but remaining in the U.S. may come at a greater price than she’s willing to pay. Director Mohammad Gorjestani gives us this inside look at the inspiration behind the short film, which is available to stream for free at futurestates.tv and on pbs.org.

As an Iranian American, I find myself on both sides of an escalating geopolitical situation between the United States and Iran. When invited to pitch a story for the FUTURESTATES series, I began to realize that I wanted to further explore the potential repercussions of the brewing U.S./Iran conflict in the not-too-distant future.

As I explored the landscape and hypothesized various scenarios that I felt deserved attention, I stumbled upon two profound realizations. The first was that the nature of warfare has evolved to the point that cyber warfare is no longer rooted in fiction, but rather an aggressively approaching reality. The second was that a large number of Iranian immigrants living in the U.S. could find themselves victims of political backlash similar to the experience of Japanese Americans during World War II. I knew, however, that while history could repeat itself, it would likely not replicate the past but come in a new form. Continue reading →

From Victim to Survivor: Women and Girls Lead Films Share Stories of Resiliency

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April was Sexual Assault Awareness Month in the U.S. and while Women and Girls Lead campaign partners were doing their part to advocate for survivors, our main efforts went to raising public awareness through film. We started the month with the highly anticipated two-part series premiere of Kind Hearted Woman, a documentary by David Sutherland. We’ve also been preparing for the upcoming May 13th broadcast of the Academy Award nominated documentary The Invisible War by Kirby Dick and Amy Ziering. These two films in particular show the powerful potential for storytelling to support healing.

KHW_WAGL_infographicAn act of violence can last only minutes, but the effects on a survivor can linger for a lifetime. According to the World Health Organization, survivors of sexual assault are 26 times more likely to abuse drugs and four times more likely to contemplate suicide. Multiply that times the 18 percent of women and girls who experience sexual assault, and the U.S. has a startling health epidemic on its hands. While awareness about prevention and punishment has steadily increased, Kind Hearted Woman and The Invisible War paint a rarely seen picture of what it takes to heal from the long-term effects of sexual violence.

In Kind Hearted Woman, we met Robin Poor Bear, a charismatic Oglala Sioux woman and mother of two. Robin is in a battle with sobriety after years of sexual abuse drove her to alcohol abuse. Robin’s story is not unique – alcohol abuse is 13 times more likely for survivors of gender-based violence. In the five-hour series, which was filmed over three years, we watch Robin heal before our eyes as her voice grows more self-assured, the bonds with her children deepen, and she remains steadfastly sober. “The more I tell my story, the stronger it’s gonna make me,” Robin declares. Watch Kind Hearted Woman online.

Viewers who tuned in to the Kind Hearted Woman broadcast on Independent Lens and FRONTLINE April 1st and 2nd responded to Robin’s story with an outpouring of compassion and support. Some even asked if there was a way they could contribute financially. As a result, the filmmakers established a fund where people can send donations to Robin and her family to use throughout their healing process. Learn more about the Robin Poor Bear Fund.

Kind Hearted Woman is also being used to train healthcare professionals in treating and responding to the harmful effects of violence. The Man Up Campaign and the American Indian Community House hosted a screening at Mount Sinai Hospital to facilitate a discussion on treating and responding to the harmful effects of violence. Throughout the year, Man Up partners with Native American communities to train and equip male advocates in fighting the high rates of gender-based violence on reservations.

During the May 13th broadcast of The Invisible War, viewers will meet U.S. service women and men who are living with the effects of Military Sexual Trauma (MST), a term developed in response to the widespread problem of rape in the military. MST is akin to post-traumatic stress disorder, which is characterized by severe anxiety, stress, or fear. On the whole, survivors of sexual assault are six times more likely to experience post-traumatic stress disorder. Amy Herdy says in her interview for The Invisible War, “I have never seen trauma like I have seen from veterans who have suffered Military Sexual Trauma.”

When several of the survivors come together to file a lawsuit regarding their sexual assault cases, a powerful shift occured. They find strength in their common stories. “I’m not alone,” survivor Kori Coica repeats in the film, “I’m not alone.” The film’s Executive Producer Regina Kulik Scully hopes to recreate this transformative effect in the newly established Artemis Rising Invisible War Recovery Program. The program, which welcomed its first group of veterans in February 2013, offers specialized, non-pharmaceutical treatment for survivors of MST.

In addition to the filmmaker’s efforts, our partner RAINN is working closely with the Department of Defense to offer a Safe Helpline to members of the military. The hotline makes available trained, impartial advocates who can counsel service women and men on what to do if they experience, witness, or feel at risk of sexual assault. Learn how to contact the Safe Helpline.

Also check out one of RAINN’s public service announcements, which is available to Women and Girls Lead partners and stations to use in support of the Kind Hearted Woman and The Invisible War broadcasts:

Do your part to support survivors by listening to their stories. Tune in to The Invisible War Monday, May 13th on Independent Lens (check local listings) and follow Women and Girls Lead on Facebook for sharable infographics and videos.

FUTURESTATES Launches Season Four with Elliot King is Third

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Starting today, the fourth season of FUTURESTATES debuts a new futuristic episode from seven cutting-edge indie filmmakers every Wednesday, kicking off with today’s Elliot King is Third. In 2024, gender is identified by microchip implant, and trans people like Elliot are classified “third.” But can he change his identity in an attempt to build a safer life? Director Rose Troche gives us this inside look at the inspiration behind the short film, which is currently streaming on futurestates.tv.

The conversation of Elliot King began a long while back. I would say that the seed of this idea was formed over time and various places/events. Things like involvement in LGBTQ activism, casual conversations with friends over dinner, witnessing the changing political landscape of America – these were all important in the development of this story and the character of Elliot King.

We’re fortunate enough to live in a time and place where identity doesn’t stop at male or female and that gender and sexual identity is fluid across a large spectrum. That being said, how does one reconcile the difference between self-identification and when a government defines it for you? I’ve never believed in outing someone. It’s something that should happen when a person is ready.

Elliot King began as a question of giving other people the power to make those choices for you and the consequences of that. This film is an exploration of how pressure and time can be extremely transformative powers in a modern society. Continue reading →

ITVS Partners with Geena Davis to Confront the Effects of Media on Children

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The Geena Davis Institute on Gender in Media and ITVS have partnered together to produce an educational program, which includes five short videos produced for kids titled Guess Who?, to be featured by the Women and Girls Lead campaign.

Watch Guess Who?: The Mayor and The Judge on PBS. See more from Independent Lens.

It is time to take a hard look at the message contemporary media is sending to children and young adults. Guess Who? teaches children ages 6 to 9 to challenge gender stereotypes through the use of video and educational curriculum.

“Media images are a powerful force in shaping our perceptions of men and women. The stark gender inequality in media aimed at little children is significant, as television and movies wield enormous influence on them as they develop a sense of their role in the world. And because young kids tend to watch the same TV shows and movies repeatedly, negative stereotypes get imprinted again and again,” said Geena Davis, Academy® Award-winning actor and founder of the Geena Davis Institute on Gender in Media.

Student producers at the University of Southern California, Boston University, Columbia College, Lipscomb University, and Webster University worked with the Institute to create the shorts, which will air on public television stations nationwide and are also featured online by PBS’ Emmy Award Winning series, Independent Lens.

On April 19th, Davis will be giving the keynote address to open the 7th annual West Hollywood’s Women’s Leadership Conference: Unlimited Opportunities – Knowledge. Power. Community. The conference includes a special screening of the Oscar nominated film, The Invisible War, which will be preceded by the Guess Who? short, “The Soldier,” produced by USC. The event includes a panel discussion led by PBS SoCal’s Maria Hall Brown and features filmmakers Kirby Dick and Amy Ziering, along with subject Alison Gil.

Wonder Women! Inspires WONDER CITY Game

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By Kristy Guevara-Flanagan and Kelcey Edwards
Filmmakers, Wonder Women! The Untold Story of American Superheroines

WONDER CITY has been developed as companion game to the PBS documentary feature, Wonder Women! The Untold Story of American Superheroines (tonight at 10 PM on Independent Lens). While the film encourages young audiences to explore pop cultural history as a means of thinking critically, the WONDER CITY game aims to change how we visualize power and gender.

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We were first encouraged to create a game at the BAVC Producers’ New Media Institute. Our research found that half of girls ages 8 to 12 play games online. The most popular “girl games” center on themes like cooking, shopping, makeup, and dating, and the default protagonist of most other games is a white male. This lack of representation discourages girls and women from participating in the gaming community – as either consumers or creators.

While making the film, we became aware of how few women occupy leadership positions – fewer than 15 percent! – in politics, business, government and the media. Despite the gains of the women’s movement, we still live in a world where girls are rarely protagonists, let alone shown as strong, smart, or bold. Girls are constantly bombarded by messages and media representations that put them into narrow, stereotyped boxes and limit their choices. Too few girls have risen to be leaders in business, politics, government, or media.

Our hope is that WONDER CITY will undermine these problematic stereotypes and gender limitations by immersing players in a world that represents a more realistic diversity in race, gender, and body image. By empowering tweens to adopt their own superhero identity, they become agents of their own values. Continue reading →